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The billionaire’s office had not a single chair to sit in, not even one for Mr. Nakamura, and Nick Bottom and Hiroshi Nakamura stood facing each other across the narrow, chest-high expanse of the rich man’s slim, perfectly bare mahogany stand-up desk. Sato’s casual posture over at the tansu didn’t obscure the facts—at least to Nick Bottom’s eye—that the security chief was fully alert, would have been dangerous even if he weren’t armed, and had the indefinable lethality of an ex-soldier or cop or member of some other profession that had trained him to kill other men.

“It is, of course, your expertise after many years on the Denver Police Department, and your invaluable insights into the investigation, that are the prime reason we are considering you for this investigation,” Mr. Nakamura said smoothly.

Nick took a breath. He’d had enough of playing by Nakamura’s script.

“No, sir,” he said. “Those aren’t the reasons you’re considering hiring me. If you hire me to investigate your son’s murder, it’s because I’m the only person still alive who—under flashback—can see every page of the files that were lost in the cyberattack that wiped out the DPD’s entire archives five years ago.”

Nick thought to himself—And it’s also because I’m the only person who can, under the flash, relive every conversation with the witnesses and suspects and other detectives involved. Under flashback, I can reread the Murder Book that was lost with the files.

“If you hire me, Mr. Nakamura,” Nick continued aloud, “it will be because I’m the only person in the world who can go back almost six years to see and hear and witness everything again in a murder case that’s grown as cold as the bones of your son buried in your family Catholic cemetery in Hiroshima.”

Mr. Nakamura drew in a quick, shocked breath and then there was no sound at all in the room. Outside, the tiny waterfall tinkled softly into the tiny pond in the tiny gravel-raked courtyard.

Having played almost all of his cards, Nick shifted his weight, folded his arms, and looked around while he waited.

Advisor Hiroshi Nakamura’s office in his private home here in the Japanese Green Zone above Denver, although recently constructed, looked as if it might be a thousand years old. And still in Japan.

The sliding doors and windows were shoji and the heavier ones fusuma and all opened out into a small courtyard with its small but exquisitely formal Japanese garden. In the room, a single opaque shoji window allowed natural light into a tiny altar alcove where bamboo shadows moved over a vase holding cut plants and twigs of the autumn season, the vase itself perfectly positioned on the lacquered floor. The few pieces of furniture in the room were placed to show the Nipponese love of asymmetry and were of wood so dark that each ancient piece seemed to swallow light. The polished cedar floors and fresh tatami mats, in contrast, seemed to emanate their own warm light. A sensuous, fresh dried-grass smell rose from the tatami. Nick Bottom had had enough contact with the Japanese in his previous job as a Denver homicide detective to know that Mr. Nakamura’s compound, his house, his garden, this office, and the ikebana and few modest but precious artifacts on display here were all perfect expressions of wabi (simple quietude) and sabi (elegant simplicity and the celebration of the impermanent).

And Nick didn’t give the slightest shit.

He needed this job to get money. He needed the money to buy more flashback. He needed the flashback to get back to Dara.

Since he’d had to leave his shoes back in the entry genkan where Sato had left his, Nick Bottom’s prevalent emotion at the moment was simple regret that he’d grabbed this particular black sock this morning—the one on his left foot with a hole big enough to allow his big toe to poke through. He covertly scrunched his foot up, trying to worm the big toe back in the hole and out of sight, but that took two feet to do right and would be too obvious. Sato was paying attention to the squirming as it was. Nick curled the big toe up as much as he could.

“What kind of vehicle do you drive, Mr. Bottom?” asked Nakamura.

Nick almost laughed. He was ready to be dismissed and physically thrown out by Sato for his gai-jin’s impertinent mention of Nakamura’s all-hallowed son Keigo’s cold bones, but he hadn’t expected a question about his car. Besides, Nakamura had almost certainly watched him drive up on one of the fifty thousand or so surveillance cameras that had been tracking him as he approached the compound.

He cleared his throat and said, “Ah… I drive a twenty-year-old GoMotors gelding.”

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Я думала, что уже прожила свою жизнь, но высшие силы решили иначе. И вот я — уже не семидесятилетняя бабушка, а молодая девушка, живущая в другом мире, в котором по небу летают дирижабли и драконы.Как к такому повороту относиться? Еще не решила.Для начала нужно понять, кто я теперь такая, как оказалась в гостинице не самого большого городка и куда направлялась. Наверное, все было бы проще, если бы в этот момент неподалеку не упал самый настоящий пассажирский дракон, а его хозяин с маленьким сыном не оказались ранены и доставлены в ту же гостиницу, в который живу я.Спасая мальчика, я умерла и попала в другой мир в тело молоденькой девушки. А ведь я уже настроилась на тихую старость в кругу детей и внуков. Но теперь придется разбираться с проблемами другого ребенка, чтобы понять, куда пропала его мать и продолжают пропадать все женщины его отца. Может, нужно хватать мальца и бежать без оглядки? Но почему мне кажется, что его отец ни при чем? Или мне просто хочется в это верить?

Катерина Александровна Цвик

Любовное фэнтези, любовно-фантастические романы / Детективная фантастика / Юмористическая фантастика