Everything's Eventual

My favorite Nathaniel Hawthorne story is "Young GoodmanBrown." I think it's one of the ten best stories ever written by anAmerican. "The Man in the Black Suit" is my hommage to it. As for the particulars, I was talking with a friend of mine one day, and he happened to mention that his Grandpa believed—truly believed—that he had seen the Devil in the woods, back around the turn of the twentieth century. Grandpa said the Devil came walking out of the woods and started talking to him just like a natural man. While Grandpa was chinning with him, he realized that the man from the woods had burning red eyes and smelled like sulfur. My friend's Grandpa became convinced that the Devil would kill him if he realized Grandpa had caught on, so he did his best to make normal conversation until he could eventually get away. My story grew from my friend's story. Writing it was no fun, but I went on with it, anyway. Sometimes stories cry out to be told in such loud voices that you write them just to shut them up. I thought the finished product a rather humdrum folktale told in pedestrian language, certainly miles from the Hawthorne story I liked so much. When The New Yorker asked to publish it, I was shocked. When it won first prize in the O. Henry Best Short Story competition for 1996, I was convinced someone had made a mistake (that did not keep me from accepting the award, however). Reader response was generally positive, too. This story is proof that writers are often the worst judges of what they have written.

All That You Love Will Be Carried Away

It was a Motel 6 on I-80 just west of Lincoln, Nebraska. The snow that began at midafternoon had faded the sign's virulent yellow to a kinder pastel shade as the light ran out of the January dusk. The wind was closing in on that quality of empty amplification one encounters only in the country's flat midsection, usually in wintertime. That meant nothing but discomfort now, but if big snow came tonight—the weather forecasters couldn't seem to make up their minds—then the interstate would be shut down by morning. That was nothing to Alfie Zimmer.

   He got his key from a man in a red vest and drove down to the end of the long cinder-block building. He had been selling in the Midwest for twenty years, and had formulated four basic rules about securing his night's rest. First, always reserve ahead. Second, reserve at a franchise motel if possible—your Holiday Inn, your Ramada Inn, your Comfort Inn, your Motel 6. Third, always ask for a room on the end. That way, the worst you could have was one set of noisy neighbors. Last, ask for a room that begins with a one. Alfie was forty-four, too old to be fucking truck-stop whores, eating chicken-fried steak, or hauling his luggage upstairs. These days, the rooms on the first floor were usually reserved for non-smokers. Alfie rented them and smoked anyway.

   Someone had taken the space in front of Room 190. All the spaces along the building were taken. Alfie wasn't surprised. You could make a reservation, guarantee it, but if you arrived late (late on a day like this was after 4 P .M.), you had to park and walk. The cars belonging to the early birds were nestled up to the gray cinder block and the bright-yellow doors in a long line, their windows already covered with a scrim of light snow.