Everything's Eventual

As well as the ever-popular premature burial, every writer ofshock/suspense tales should write at least one story about theGhostly Room At The Inn. This is my version of that story. Theonly unusual thing about it is that I never intended to finish it. Iwrote the first three or four pages as part of an appendix for my On Writing book, wanting to show readers how a story evolves from first draft to second. Most of all, I wanted to provide concrete examples of the principles I'd been blathering about in the text. But something nice happened: the story seduced me, and I ended up writing all of it. I think that what scares us varies widely from one individual to the next (I've never been able to understand why Peruvian boomslangs give some people the creeps, for example), but this story scared me while I was working on it. It originally appeared as part of an audio compilation called Blood and Smoke, and the audio scared me even more. Scared the hell out of me. But hotel rooms are just naturally creepy places, don't you think? I mean, how many people have slept in that bed before you? How many of them were sick? How many were losing their minds? How many were perhaps thinking about reading a few final verses from the Bible in the drawer of the nightstand beside them and then hanging themselves in the closet beside the TV? Brrrr. In any case, let's check in, shall we? Here's your key . . . and you might take time to notice what those four innocent numbers add up to. It's just down the hall.

I

Mike Enslin was still in the revolving door when he saw Olin, the manager of the Hotel Dolphin, sitting in one of the overstuffed lobby chairs. Mike's heart sank. Maybe I should have brought the lawyer along again, after all, he thought. Well, too late now. And even if Olin had decided to throw up another roadblock or two between Mike and room 1408, that wasn't all bad; there were compensations.

   Olin was crossing the room with one pudgy hand held out as Mike left the revolving door. The Dolphin was on Sixty-first Street, around the corner from Fifth Avenue, small but smart. A man and a woman dressed in evening clothes passed Mike as he reached for Olin's hand, switching his small overnight case to his left hand in order to do it. The woman was blond, dressed in black, of course, and the light, flowery smell of her perfume seemed to summarize New York. On the mezzanine level, someone was playing "Night and Day" in the bar, as if to underline the summary.

   "Mr. Enslin. Good evening."

   "Mr. Olin. Is there a problem?"

   Olin looked pained. For a moment he glanced around the small, smart lobby, as if for help. At the concierge's stand, a man was discussing theater tickets with his wife while the concierge himself watched them with a small, patient smile. At the front desk, a man with the rumpled look one only got after long hours in Business Class was discussing his reservation with a woman in a smart black suit that could itself have doubled for evening wear. It was business as usual at the Hotel Dolphin. There was help for everyone except poor Mr. Olin, who had fallen into the writer's clutches.

   "Mr. Olin?" Mike repeated.

   "Mr. Enslin . . . could I speak to you for a moment in my office?"