Every Dead Thing

It sounded plausible. If someone had drawn Fontenot out to Honey Island, then it must have been someone he trusted enough to make the trip. More to the point, that someone must have been offering something that Fontenot wanted, something to make him risk the drive to the reserve late at night.

I said nothing to Angel or Louis, but I was troubled that both Raymond Aguillard and David Fontenot had, in their own different ways, drawn my attention to Honey Island in a period of less than one day. I thought that, after I had spoken to Joe Bones, I might have to disturb Lionel Fontenot in his time of grief.

My cell phone rang. It was the desk clerk from the Flaisance, informing us that a delivery addressed to a Mr. Louis had arrived and a courier was waiting for us to sign. We took a taxi back to the hotel. Outside, a black transit van was parked with two wheels on the curb.

“Courier,” said Louis, but there were no markings on the van, nothing to identify it as a commercial vehicle.

In the lobby, the desk clerk sat nervously watching a huge black man who was squeezed into an easy chair. He was shaven-headed and wearing a black T-shirt with Klan Killer written in jagged white writing across the chest. His black combat trousers were tucked into nine-hole army boots. At his feet lay a long steel container, locked and bolted.

“Brother Louis,” he said, rising. Louis took out his wallet and handed over three hundred-dollar bills. The man tucked the money into the thigh pocket of his combats, removed a pair of Ray-Ban sunglasses from the same pocket, and put them on before strolling out into the sunlight.

Louis motioned to the container. “If you gentlemen would like to take that up to the room,” he said. Angel and I took an end each and followed him up to the suite. The case was heavy and something inside rattled as we walked.

“Those UPS couriers are sure getting bigger,” I said, as I waited for him to open the door.

“It’s a specialized service,” said Louis. “There are some things the airlines just wouldn’t understand.”

When he had closed and locked the door behind us, he took a set of keys from the pocket of his suit and opened the case. It was separated into three layers, which opened up like those in a tool kit. On the first layer were the constituent parts of a Mauser SP66, a three-round heavy-barreled sniper rifle with a combined muzzle brake and flash hider. The parts were packed in a removable case. Beside it, a SIG P226 pistol and a shoulder holster lay in a fitted compartment.

In the second compartment sat two Calico M-960A minisubs, made in the good old U.S. of A., each handheld sub fitted with a short barrel that extended less than an inch and a half beyond the fore end. With the stock retracted, each gun measured a little over two feet in length and, empty, weighed just under five pounds. They were exceptionally lethal little guns, with a rate of fire of seven hundred and fifty rounds per minute. The third compartment contained an array of ammunition, including four one-hundred-round magazines of 9 millimeter Parabellum for the subs.

“Christmas present?” I asked.

“Yup,” said Louis, loading a fifteen-round magazine into the butt of the SIG. “I’m hoping to get a rail gun for my birthday.”

He handed Angel the case containing the Mauser, slipped on the holster, and inserted the SIG. He then relocked the case and went into the bathroom. As we watched, he removed the paneling from beneath the sink with a screwdriver and shoved the case into the gap before replacing the panel. When he was satisfied that it was back in place, we left.

“You think Joe Bones will be pleased to see a bunch of strangers show up on his doorstep?” asked Angel, as we walked to my rental.

“We ain’t strangers,” said Louis. “We’re just friends he ain’t met yet.”

Joe Bones owned three properties in Louisiana, including a weekend house at Cypremort Point, where his presence must have made the more respectable weekenders, with their expensive holiday houses bearing jokey names like Eaux-Asis and End of the Trail, distinctly uneasy.

His city residence lay across from Audubon Park, almost opposite the bus stop for the shuttle bus that took tourists to the New Orleans Zoo. I had taken a trip on the St. Charles streetcar to inspect the house, a brilliantly white confection adorned with black wrought iron balconies and a cupola topped with a gold weather vane. Finding Joe Bones inside a place like that was like finding a cockroach in a wedding cake. In the carefully maintained garden, a flower I couldn’t identify bloomed lushly. Its scent was sickly and heavy, its flower so large and red that it seemed more rotten than blooming, as if the flowers themselves might suddenly burst and send thick fluid down the branches of the plant, poisoning the aphids.