For the purpose of the séance they drove to Eugene Randall’s apartment, a sad widower’s digs in Virginia, one wall a shrine to his deceased spouse Louisa Ellen. Stepping inside was like stepping into the archaeology of a life, decades reduced to potsherds and clay tablets.
Randall kept the lights low and proceeded directly to the liquor cabinet. “I don’t want to be drunk,” he explained. “I just don’t want to be sober.”
“I could use a shot myself,” Elias Vale said.
Inevitably, Vale lost himself to his god.
He thought of it as “summoning” the god, but in fact it was Vale who was summoned, Vale who was used. He had never volunteered for this duty. He had never been given a choice. If he had resisted… but that didn’t bear thinking about.
Randall wanted to speak to his lost Louisa Ellen, the horse-faced woman in the photographs, and Vale made a show of calling to her across the Great Barrier, eyes rolled to conceal his own agony. In fact he was retreating into himself, stepping out of the god’s path, becoming passive. No longer his, the need to draw breath, the rebellious tides of bile and blood.
He was only distantly conscious of Randall’s halfhearted questions, though the emotional gist of it was painfully obvious. Randall, the lifelong rationalist, wanted desperately to believe he could speak to Louisa Ellen, who had been carried off by a vicious pneumonia less than a year ago; but he couldn’t easily abandon a lifetime’s habit of thought. So he asked questions only she could answer, Wanting proof but terrified that he might not get it.
And Vale, for the first time, felt another presence in addition to his god. This one was a tortured, partial entity — a shell of suffering that might actually once have been Louisa Ellen Randall.
Her voice choked out of Vale’s larynx. His god modulated the tone.
Yes, Vale said, she remembered that summer in Maine, long before the Miracle of the New Europe, a cottage by the sea, and it had rained, hadn’t it, all that cool July, but that had not made her unhappy, only grateful for beach walks whenever the clouds abated, for the fire in the hearth at night, for her collection of chalky seashells, for the patchwork quilt and the feather bed.
And so on.
And when Randall, florid with the pulse of blood through his clotted veins, asked. “Louisa, it
But these were the Mysteries.
It was not Louisa Ellen’s voice (though it still sounded like hers) when Randall’s flagging skepticism began to recover and Vale’s god delivered a sort of
It was a concise and miraculous prophecy. The wire services featured the story the following night. It ran under banner headlines in the Washington papers.
Vale neither knew nor cared about all that. His god had left him, that was the welcome fact. His aching body was his own again, and there was enough liquor in the house to keep him in a therapeutic oblivion.
Chapter Fourteen
Lake Constance. The
It was not much more, geographically speaking, than a wide place in the river. But in the morning mist it might have been a great placid ocean, gentle as silk, fresh sunlight cutting through the fog in silver sheets. The northern shore, just visible, was a rocky abeyance thick with silent forest, mosque trees and sage-pine and stands of a broad-leafed, white-boled tree for which not even Tom Compton had a name. Moth-hawks swept over the shimmering water in rotating swarms.
“More than a thousand years ago,” Avery Keck said, “there was a Roman fort along these shores.” Keck, who had taken Gillvany’s place in the
Guilford wondered aloud what had happened to the vanished Europeans. Had they simply died? Or could they have traveled to a mirror-Earth, in which Europe survived intact and the rest of the world had gone feral and strange?
Keck was a gaunt man of about forty years, with the face of a small-town undertaker. He looked at Guilford dolefully. “If so, then the Europeans have their own fresh wilderness to hack and gouge at and go to war over. Just like us, God help ’em.”