The final thing is as follows: he goes into the basement of a building in Manila. The building has been turned into a signals intelligence headquarters by the United States Army. He is one of some half-dozen people on the face of the planet who are allowed to enter this particular room. The room amounts to a bit more than a quarter of the basement's total square footage, and in fact shares the basement with several other rooms, some of which are larger than it is, and some of which are serving as offices for men with higher rank than Waterhouse wears on his uniform. But there are a few oddities connected with Waterhouse's room:
(1) At any given moment, no fewer than three United States Marines are loitering directly in front of the door of this room, carrying pump shotguns and other weapons optimized for close-range indoor flesh-shredding.
(2) Lots of power cables go into this room; it has its own fuse-panel, separate from the rest of the building's electrical system.
(3) The room emits muffled, yet deafening quasimusical noises.
(4) The room is referred to as the Basement, even though it's only part of the basement. When "the Basement" is written down, it is capitalized. When someone (let's say Lieutenant Colonel Earl Comstock) is going to verbalize this, he will come to a complete stop in mid-sentence, so that all of the preceding words kind of pile into each other like cars in a colliding train. He will, in fact, bracket "the Basement" between a pair of full one-second-long caesuras. During the first of these, he will raise his eyebrows and purse his lips simultaneously, altering the entire aspect ratio of his face so that it becomes strikingly elongated in the vertical dimension, and his eyes will dart sideways in case any Nipponese spies somehow managed to escape the recent apocalypse and found a place to lurk around the fringes of his peripheral vision. Then he will say "the" and then he will say "Basement," drawing out the
Waterhouse nods to the Marines, one of whom hauls the door open for him. A really funny thing happened shortly after the Basement was established, when it was still just a bunch of wooden crates and a stack of 32-foot-long sewer pipe segments, and the electricians were still running in the power lines: Lieutenant Colonel Earl Comstock tried to enter the Basement to inspect it. But owing to a clerical error, Lieutenant Colonel Earl Comstock's name was not on the list, and so a difference of opinion ensued that culminated with one of the Marines drawing his Colt .45 and taking the safety off and chambering a round, pressing the barrel of the weapon directly into the center of Comstock's right thigh, and then reminiscing about some of the spectacular femur-bursting wounds he had personally witnessed on places like Tarawa and in general trying to help Comstock visualize just what his life would be like, both short– and long-term, if a large piece of lead were to pass through the middle of said major bone. To everyone's surprise, Comstock was delighted with this encounter, almost enchanted, and hasn't stopped talking about it since. Of course, now his name's on the list.
The Basement is filled with ETC card machines and with several racks of equipment devoid of corporate logos, inasmuch as they were designed and largely built by Lawrence Pritchard Waterhouse in Brisbane. When all of these things are hooked together in just the right way, they constitute a Digital Computer. Like a pipe organ, a Digital Computer is not so much a machine as a meta-machine that can be made into any of a number of different machines by changing its internal configuration. At the moment, Lawrence Pritchard Waterhouse is the only guy in the world who understands the Digital Computer well enough to actually do this, though he's training a couple of Comstock's ETC men to do it themselves. On the day in question, he is turning the Digital Computer into a machine for calculating the zeta function that he thinks is at the core of the cryptosystem called Azure or Pufferfish.