He gets to it eventually, and begins to pull on the rope. He closes his eyes, but tries not to fall asleep. He keeps pulling, and eventually feels something big and thick between his hands: the hose.
Almost finished. Lying on his back, hugging the end of the hose to his chest, he rolls his head from side to side until he can see the air vent that they picked out on the reconnaissance photos. It used to have a sheet-metal hood on the top of it, but that's long gone now, it's just a hole in the roof with a few jagged bits of metal at its edges. He crawls over to it and feeds in the end of the hose.
Someone must be watching him on one of the ships, because the hose stiffens, like a serpent coming alive, and between his hands Bobby Shaftoe can feel the fuel oil streaming through it. Ten thousand gallons of the stuff. Straight down into the fortress. He can hear the Nips down there, singing hoarse songs. By now they will have figured out what is about to happen. General MacArthur is giving them exactly what they've been praying for.
At this point, Bobby Shaftoe is supposed to abseil down a rope into the LCM, but he knows it isn't going to happen. No one can reach him now, no one can help him. When the fuel oil stops streaming through the hose, he summons all the concentration he has left. Pretends, one last time, that he actually gives a damn. Jerks the safety pin from a white phosphorus grenade, lets the handle fly off and tinkle merrily across the roof. He can feel it come alive in his hand, the thrumming animal fizz of its inner fuse. He drops it into the air shaft: a circular pipe straight down, a black disk centered on a field of dingy grey, like the ashes of a Nipponese flag.
Then, on an impulse, he dives in there after it.
Semper Fidelis Dawn star flares on disk of night I fall, sun rises
Chapter 88 METIS
The appearance of [email protected] in the cell right next to Randy's is like the crowning plot twist in this Punch-and-Judy show that has been performed for his benefit ever since his plane landed at NAIA. As with any puppet show, he knows that there must be a lot of people hidden just outside the range of his senses, in furious motion, trying to make it all happen. For all he knows, some significant fraction of the Philippine gross national product is being devoted to keeping up these pretenses for his benefit.
There is a meal waiting on the floor of Randy's cell, and a rat on top of the meal. Randy usually reacts pretty badly to the sight of rats; they rupture the containment system that his upbringing and his education built around the part of his mind where the collective-unconscious stuff dwells, and send him straight into Hieronymus Bosch territory. But in these circumstances it doesn't bother him any more than seeing one at the zoo would. The rat has a surprisingly attractive buckskin-colored pelt and a tail about as thick as a pencil that has evidently run afoul of a farmer's wife with a carving knife, and woggles stiffly in the air like the blunt antenna of a cellphone. Randy is hungry, but he doesn't want to eat anything that a rat has left footprints on, so he just watches it.
His body feels like it slept for a long time. He turns on his computer and types in a command called "date." The nails of his left hand look funny, as if they all got bruised. Focusing on them he sees a club drawn in blue ballpoint pen ink on the nail of the index finger, a diamond on the forefinger, a heart on the ring finger, a spade on the pinky. Enoch Root told him that in Pontifex, as in bridge, each card in the deck has a numerical value: clubs 1-13, diamonds 14-26, hearts 27-39, spades 40-52. Randy drew the symbols on his nails so he wouldn't forget.
Anyway, "date" tells him that he apparently slept all of yesterday afternoon and evening, all night, and about half of today. So this rat is actually eating his lunch.