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A soldier grabbed the rein of a warrior who drew close enough, pounding the Lakota in the face with the barrel of his pistol as they struggled, racing along beside one another in a rising dust cloud.

Lakota warrior, White Bull, drove his pony into the fray, waving a soldier saber captured in a recent battle. With it he took off the top of a white man’s head as they neared the north end of the bridge. The spray of bright crimson in the dawn light drove him blood crazy.

And for a moment, a gust of wind dissipated the swirling dust, parting the horsemen so Crazy Horse could catch a glimpse of that brave soldier chief who had reached the bridge, just as the Shahiyena came up to swallow the soldiers whole.

The soldier wavered in the saddle—an arrow fluttering just above his eyes, deeply embedded in his skull.

He was shouting at the warriors in Lakota—saying he was a friend.

Like a cold stone, the shrill sound of that voice struck the heart of Crazy Horse. He knew that soldier. Caspar. His friend.

Already many of the Lakota were drawing back as the soldier hollered at them atop his frightened mount.

“Go back, Cas-Par! Go back now!”

“It is our friend—Cas-Par!” hollered an Oglalla.

“Let him pass! Let the soldier chief onto the bridge!” yelled another.

Hump and Crazy Horse and several other war chiefs were shouting now, ordering their warriors back once they recognized their friend. Through that widening gauntlet, even as the Shahiyena bore down on the soldiers, the white horsemen began to retreat in panic, clattering across the bridge.

Seven white men lay dead or dying on the north bank, each one surrounded by a growing knot of enraged Shahiyena warriors, each warrior with blood hot at yesterday’s killing of High-Back Wolf.

The fighting with the rest of the soldiers grew so close that few of the Shahiyena used the guns they had captured in the southern country. Instead, they were like a pack of water moccasins, in among the soldiers with their long lances: jabbing, pulling the weapon free, bright with blood in the growing sunlight, then plunging the weapon into horse and soldier alike in a screaming, screeching nightmare of dust and death.

“Don’t leave me!” shrieked a soldier as he fell to the ground. “Oh, God—”

Around and around in a tightened circle the big gray horse pranced while the soldier chief tried to shoot at the strangling noose of Shahiyena—then the hard-mouthed animal suddenly bolted off with its wounded rider, heading not across the bridge with the other fleeing soldiers—but galloping off toward the ridge, into the nearby hills, directly for the Shahiyena who were pouring down into the valley.

With a loud, throaty roar, a wagon-gun sent its load of canister shot across the river. The charge exploded just above the ground, raising a huge spout of dirt clods and dust, shredding the willow and alder on the north bank as the warriors scurried back. A second wagon-gun roared on the heels of the first. Its charge landed farther from the river, against the bluffs.

Crazy Horse joined the rest as the warriors slowly flowed back from the riverbank. Nowhere was his soldier friend in sight. Out of the mass of Shahiyena one warrior emerged, leading the nervous gray horse by a rawhide lariat, struggling with the frightened animal. The cold stone inside his belly grew taut, and never more cold.

He had little time to study the riverbank, wondering which body might be Cas-Par’s, for the soldiers at the fort walls set up a barrage with their far-shooting guns. Each time those rifles roared, brownskinned horsemen dropped from the backs of their ponies, then slid back atop them to jeer and call out, slapping their bare backsides at the soldiers so far across the river for missing them.

“Your mothers are bitch dogs!”

Crazy Horse stared along the hillside, finding George Bent, the old fur trader’s half-breed son. He was shouting in English at the white men in the fort.

“Shoot that loud-mouthed son of a bitch!” a soldier cried out.

Again and again the soldiers fired, trying to hit the bare-chested Bent, who kept on cursing the soldiers in every vile English word he had learned in his years among them. From time to time he rose from the back of his pony, pulling aside his breechclout, exposing his genitals to the white men.

During the whole time, those Shahiyena gathered around the half-breed shook eight fresh scalps—further inciting the frustrated white men clustered behind the walls of their log fort.

6

July 26, 1865

NO SOONER HAD Jonah Hook and the fourteen soldiers reached the bridge than the Cheyenne and Sioux were sprouting from the far bank as if by magic.

“Skirmish formation!” Captain Lybe hollered. “Off left! Off right!”

Seven men swung out to the left. Hook turned with six other soldiers to the right. Shoulder to shoulder.

“Forward at a walk!”

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

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