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Shouts came from a handful of the pickets along the walls, announcing that a dozen or more warriors on ponies had splashed across the river downstream from the bridge.

Hook immediately joined Sweete at the banquette along the top of the wall, watching the warriors lope up the south bank no more than a mile from the fort, where they threw several lariats over the telegraph wire, turned their stout ponies about, and succeeded in pulling down the link to Fort Laramie.

“We’re cut off from all reinforcements now,” moaned Major Martin Anderson.

“God bless us,” whispered Lieutenant Caspar Collins as he turned away toward his waiting platoon.

Major Anderson, sir!

“Yes, Captain Lybe?”

“Respectfully request permission to cover Lieutenant Collins’s rear, Major.”

Anderson regarded the officer dressed in dusty blue a moment. “Your men got in here in the middle of the night, Captain. How many do you have to take with you?”

Lybe blinked. “Fourteen, sir.”

“I understand they’re all volunteers—galvanized Rebs, aren’t they?”

Lybe stared straight ahead without blinking this time. “They are, sir. And fighters too—every one.”

The major cleared his throat and scratched his chin. “Permission granted. Cover the lieutenant’s rear.”

“Thank you, sir.” Lybe turned and galloped off to gather his Confederates at the wall.

“C’mon boys! We’ve got us some skirmishing to do.”

“We going to fight those Injuns?” one of the Southerners asked as the fourteen formed up into two columns of dusty, bearded men dressed in blue wool.

“Men, we’re going to protect the rear of that troop leaving with Lieutenant Collins.”

In the predawn light, most of the warriors had crept out of the hills down to the riverbanks, where they hid themselves in the brush and timber. The Lakota upstream from the white man’s bridge. The Shahiyena down.

They did not have long to wait.

With a rustle of movement, tongues buzzing up and down the riverbank, attention was drawn to the noisy yawning of the fort gates. Counting almost three times all the fingers on both of the Oglalla war chief’s hands—the soldiers galloped free of the wooden stockade in two columns. Without slowing, the soldier horses approached the south end of the long bridge, then clattered across, iron shoes thundering over the cottonwood planks, echoing loudly up and down the valley.

The soldier chief leading the horsemen turned left coming off the bridge, heading upstream.

As the last bluecoat thundered off the north end of the cottonwood planks, Roman Nose stood within the brush and raised a lance to which he had tied a colorful pennon, signaling his Shahiyena warriors, who were now downstream of the soldiers. With a loud cheering shriek, the Shahiyena rose as one, as if sprouting from the ground itself, exploding from the brush and timber in a mighty phalanx that sealed off the bridge as an escape route for those white men trapped on the north bank.

The soldier chief waved his arm—ordering his men forward sternly. For a beat of his heart, Crazy Horse admired this soldier who courageously led his men away from the bridge and safety.

A moment later, as the soldiers turned in their saddles, shouting among themselves with a clanging of hardware and weapons, Hump and Red Cloud gave their own signal. The Oglalla burst from the riverbank, adding their voices to the war songs reverberating from the nearby bluffs.

Crazy Horse kept his eye on the soldier chief leading his men. Long ago he had learned that the white man fought very differently from a warrior. While Lakota and Shahiyena went into battle as individuals, taking orders from no man once the fighting began—the white soldiers took their commands from one or two of their number, acting in concert.

The Oglalla warrior was not disappointed this morning. The soldier chief signaled, shouting into the noisy confusion of his own men while the warriors shrieked up and down the riverbanks on both sides of the bridge. Waving with one arm that held a pistol, the soldier struggled with his horse—a tall, beautiful gray animal that pranced, spun, and reared repeatedly.

It is good, Crazy Horse thought. The soldier’s horse is wide-eyed and frightened, smelling death come so near.

With no real form to their charge, the soldiers bolted into a gallop, heading up the road, toward the hills and away from the Lakota breaking from riverbank.

But more Sioux warriors appeared at their front. The horsemen skidded to a ragged halt, then began firing their guns.

The Lakota swept forward, shouting, “Coup! Coup!” and shooting what few rifles they had, no more than one for every hundred warriors. Most released arrows in a short arc toward the cluster of white soldiers.

There came a momentary lull in the flight of the arrows as the Lakota surged closer still, more warriors sweeping down the slope on horseback. The soldiers seized that break in the assault, whirling their mounts and surging back toward the bridge in ragtag fashion.

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Все книги серии Jonas Hook

Cry of the Hawk
Cry of the Hawk

Forced to serve as a Yankee after his capture at Pea Ridge, Confederate soldier Jonah Hook returns from the war to find his Missouri farm in shambles.From Publishers WeeklySet primarily on the high plains during the 1860s, this novel has the epic sweep of the frontier built into it. Unfortunately, Johnston (the Sons of the Plains trilogy) relies too much on a facile and overfamiliar style. Add to this the overly graphic descriptions of violence, and readers will recognize a genre that seems especially popular these days: the sensational western. The novel opens in the year 1908, with a newspaper reporter Nate Deidecker seeking out Jonah Hook, an aged scout, Indian fighter and buffalo hunter. Deidecker has been writing up firsthand accounts of the Old West and intends to add Hook's to his series. Hook readily agrees, and the narrative moves from its frame to its main canvas. Alas, Hook's story is also conveyed in the third person, thus depriving the reader of the storytelling aspect which, supposedly, Deidecker is privileged to hear. The plot concerns Hook's search for his family--abducted by a marauding band of Mormons--after he serves a tour of duty as a "galvanized" Union soldier (a captured Confederate who joined the Union Army to serve on the frontier). As we follow Hook's bloody adventures, however, the kidnapping becomes almost submerged and is only partially, and all too quickly, resolved in the end. Perhaps Johnston is planning a sequel; certainly the unsatisfying conclusion seems to point in that direction. 

Терри Конрад Джонстон

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