Complete Short Stories Of Ernest Hemingway, The

“Pull,” said the hoarse voice and from whichever of the five traps the grey racing pigeon came out, and at whatever angle his wings drove him in full, low flight above the green grass toward the white, low fence, the load of the first barrel swung into him and the load from the second barrel drove through the first. As the bird collapsed in flight, his head falling forward, only the great shots saw the impact of the second load driving through onto the bird already dead in the air.

The boy would break his gun and walk back in off the cement toward the pavilion, no expression on his face, his eyes down, never giving any recognition to applause and saying, “Thanks,” in the strange hoarse voice if some pro said, “Good bird, Stevie.”

He would put his gun in the rack and wait to watch his father shoot and then the two of them would walk off together to the outdoor bar.

“Can I drink a Coca-Cola, Papa?”

“Better not drink more than half a one.”

“All right. I’m sorry I was so slow. I shouldn’t have let the bird get hard.”

“He was a strong, low driver, Stevie.”

“Nobody’d ever have known it if I hadn’t been slow.”

“You’re doing all right.”

“I’ll get my speed back. Don’t worry, Papa. Just this little bit of Coke won’t slow me.”

His next bird died in the air as the spring arm of the sunken trap swung him up from the opening in the hidden trench into driving flight. Everyone could see the second barrel hit him in the air before he hit the ground. He had not gone a yard from the trap.

As the boy came in one of the local shooters said. “Well, you got an easy one, Stevie.”

The boy nodded and put up his gun. He looked at the scoreboard. There were four other shooters before his father. He went to find him.

“You’ve got your speed back,” his father said.

“I heard the trap,” the boy said. “I don’t want to throw you off, Papa. You can hear all of them I know. But now the number two trap is about twice as loud as any of the others. They ought to grease it. Nobody’s noticed it I don’t think.”

“I always swing on the noise of the trap.”

“Sure. But if it’s extra loud it’s to your left. Left is loud.”

His father did not draw a bird from the number two trap for the next three rounds. When he did he did not hear the trap and killed the bird with his second barrel far out so that it just hit the fence to fall inside.

“Geez, Papa, I’m sorry,” the boy said. “They greased it. I should have kept my damned mouth shut.”

It was the night after the last big international shoot that they had ever shot in together that they had been talking and the boy had said, “I don’t understand how anyone ever misses a pigeon.”

“Don’t ever say that to anybody else,” his father said.

“No. I mean it really. There’s no reason ever to miss one. The one I lost on I hit twice but it fell dead outside.”

“That’s how you lose.”

“I understand that. That’s how I lost. But I don’t see how any real shooter can miss one.”

“Maybe you will in twenty years,” his father said.

“I didn’t mean to be rude, Papa.”

“That’s all right,” his father said. “Only don’t say it to other people.”

He was thinking of that when he wondered about the story and about the boy’s writing. With all his unbelievable talent the boy had not become the shooter he was on live birds by himself nor without being taught and disciplined. He had forgotten now all about the training. He had forgotten how when he started to miss live birds his father would take his shirt off him and show him the bruise on his arm where he had placed the gun incorrectly. He had cured him of that by having him always look back at his shoulder to be sure he had mounted the gun before he called for a bird.

He had forgotten the discipline of weight on your forward foot, keep your head down and swing. How do you know your weight is on your forward foot? By raising your right heel. Head down, swing and speed. Now it doesn’t matter what your score is. I want you to take them as soon as they leave the trap. Never look at any part of the bird but the bill. Swing with their bills. If you can’t see the bill swing where it would be. What I want from you now is speed.

The boy was a wonderful natural shot but he had worked with him to make him a perfect shot and each year when he would take him and start on his speed he would start killing a six or eight out of ten. Then move to nine out of ten; hang there, and then move up to a twenty out of twenty only to be beaten by the luck that separated perfect shooters in the end.