Command and Control

The Air Force grounded all its bombers after the accident at Mars Bluff and announced a new policy: the locking pins wouldn’t be removed from nuclear weapons during peacetime flights. But the announcement failed to dampen a growing antinuclear movement in Great Britain. General Power had inflamed public opinion by telling a British journalist, who’d asked whether American aircraft routinely flew with nuclear weapons above England, “Well, we did not build these bombers to carry crushed rose petals.” Members of the opposition Labour Party criticized Prime Minister Harold Macmillan for allowing such flights and demanded an end to them. Macmillan was in a difficult position. For security reasons, SAC wouldn’t allow him to reveal that the bombs lacked cores — and wouldn’t even let him know when American planes were carrying nuclear weapons in British airspace.

Within weeks of the accident at Mars Bluff, a newly formed organization, the Campaign for Nuclear Disarmament (CND), led thousands of people on a protest march from London’s Trafalgar Square to the British nuclear weapon factory at Aldermaston. The CND rejected the whole concept of nuclear deterrence and argued that nuclear weapons were “morally wrong.” In preparation for the four-day march, the artist Gerald Holtom designed a symbol for the antinuclear movement. “I drew myself,” Holtom recalled, “the representative of an individual in despair, with palms outstretched outwards and downwards in the manner of Goya’s peasant before the firing squad.” He placed a circle around the self-portrait, an elongated stick figure, and created an image later known as the peace sign.

The Soviet Union worked hard to focus attention on the dangers of SAC’s airborne alert and the possibility of an accidental nuclear war. “Imagine that one of the airmen may, even without any evil intent but through nervous mental derangement or an incorrectly understood order, drop his deadly load on the territory of some country,” Khrushchev said during a speech. “Then according to the logic of war, an immediate counterblow will follow.” Arkady A. Sobolev, the Soviet representative to the United Nations, made a similar argument before the Security Council, warning that the “world has yet to see a foolproof system” and that “flights of American bombers bring a grave danger of atomic war.” The Soviet concerns may have been sincere. But they also promoted the idea that American bombers were the greatest threat to world peace — not the hundreds of Soviet medium-range missiles aimed at the capitals of Western Europe. Bertrand Russell, among others, had changed his view about whom to blame. Having once called for the United States to launch a preventive war on the Soviet Union with atomic bombs, Russell now argued that the American air bases in England should be shut down and that Great Britain should unilaterally get rid of its nuclear weapons.

The mental instability of SAC officers became a recurrent theme in Soviet propaganda. According to a Pentagon report obtained by an East German newspaper and discussed at length on Radio Moscow, 67.3 percent of the flight personnel in the United States Air Force were psychoneurotic. The report was a Communist forgery. But its bureaucratic tone, its account of widespread alcoholism, sexual perversion, opium addiction, and marijuana use at SAC, seemed convincing to many Europeans worried about American nuclear strategy. And the notion that a madman could deliberately start a world war became plausible, not long after the forgery appeared, when an American mechanic stole a B-45 bomber from Alconbury Air Force Base in England and took it for a joyride. The mechanic, who’d never received flight training, crashed the jet not long after takeoff and died.

A former Royal Air Force officer, Peter George, captured the new zeitgeist about nuclear weapons, the widespread fear of an accidental war, in a novel published amid the debate over SAC’s airborne alert. Pulp fiction like One of Our H Bombs Is Missing had already addressed some of these themes. But more than 250,000 copies of George’s novel Red Alert were sold in the United States, and it subsequently inspired a classic Hollywood film. Writing under the pseudonym “Peter Bryant,” George described how a deranged American general could single-handedly launch a nuclear attack. The madman’s views were similar to those expressed by Bertrand Russell a decade earlier: the United States must destroy the Soviet Union before it can destroy the West. “A few will suffer,” the general believes, “but millions will live.”