On the opposite side of Broadway, the local men were gathering in Hagan’s Bar to wait for the early edition of tomorrow’s
“It’s gotta be the horse,” Lefty Trainor said, as a tall redhead in pale blue shorts giggled and pet the big Tennessee Walker. The horse was named Con Ed for the electric company who donated him. Ernie K. called him “Connie,” but it wasn’t a female. Poor Connie had the worst of it, having to lug Ernie K.’s fat ass around. We held no grudge against the horse, who after all was just an innocent animal. The cop was another matter; we watched in disgust as he flashed his Ipana smile down on the thirtyish redhead, his square jaw jutting outward.
“Who does the woman remind you of?” Lefty said.
“Maureen O’Hara,” I said.
“No, c’mon,” Lefty said. “B.O., who do you think she looks like? Seriously.”
We’d called Brendan O’Leary “B.O.” since kindergarten. B.O. was having a lousy summer, ever since he got dumped by his girlfriend. Lefty and I had been going through every joke known to man and Milton Berle, trying to cheer him up. He’d been a real sad sack, especially when the beer buzz began to wear off. Getting him back to his happy old self was the main reason we started our vendetta against Ernie K. The nuns had taught us that the pursuit of a worthy goal can help take your mind off your own problems.
“Marilyn Monroe,” B.O. said, but Marilyn was a blonde. He wasn’t even trying. He did, however, smile and wave to his dad, as he pushed through Hagan’s door. B.O.’s dad was a detective in Bronx Homicide; that’s how we knew the other cops considered Ernie Kronek an asshole. As every Friday night, my dad was already in Hagan’s, in his corner near the window.
“I got a buck says he bags this one,” Lefty said. “She looks half shit-faced to me.”
I’d never bet against Ernie K.; his act was a smooth one. He had a nose for a certain type of woman. The type my father called “free spirits” and my mother called “hoors.” He’d quietly offer these girls a special ride. It was against the police department’s rules, but he’d make an exception in their case, winking as if they were coconspirators in some rebellious adventure. He had a soft spot for beautiful women, he’d say. Then he’d have them walk into the park, to a bench behind the trees, near the old stone house, the family mansion, now a museum. Ernie would wait a few minutes, looking around to see if anybody was watching him, then slowly amble toward the meeting spot. He’d have the woman stand on a bench, then he’d pull her up onto poor Connie, letting the woman feel his powerful arms. He had a whole routine; a slow romantic tour of the park’s historical highlights, all the while moving deeper into the dark recesses of the park, to his “special spot.” We had Ernie K.’s act down pat.
The screech of metal on metal drowned out conversation as the Broadway train clattered to a stop above us. Red sparks floated in the night air. With the exception of creeps like Ernie Kronek and a few others, this was the best neighborhood in the city. We had everything, because 242nd and Broadway was the end of the line, the last subway stop in the Bronx. The place was always crowded, day and night. We had five bars, two candy stores, and Manhattan College just up the hill. Commuters going to or returning from school or work or partying in Midtown got off and caught a bus for Riverdale or Yonkers. Husbands, wives, or mothers, whatever, parked on the Van Cortlandt side of Broadway and waited for their loved ones. Guys bought flowers, others stopped in one of the bars for a quick pop before going home to the bride. An endless supply of skirts floated down from the subway platform above. But most of all, that park across the street. Thank you, Van Cortlandt family, for the biggest backyard in the universe.