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Well, Chief, I guess you could say that the island is haunted, and I think some dead people came to take a look at Sylvie Lauter. Oh, they had lights, did I mention that? They must go through a hell of a lot of batteries, so that’s our main lead. We’re scouring the island for batteries…

“So, why now? Why should it be so strong now?”

“A convergence of circumstances, maybe. A new factor on the island that we don’t recognize, or haven’t noticed.”

“You’re thinking it’s dangerous?”

“Maybe.”

“Do you think it’s-” Dupree paused, uncertain that he wanted to use the word that came to mind, then relented.

“Do you think it’s evil?”

“Evil, that’s a moral concept, a human concept,” said Amerling. “It could be that whatever is on this island has got no concept of morality and no need for it. It just wants what it wants.”

“Which is?”

“I don’t know that. If I knew it, we wouldn’t be having this conversation.”

“I’m not sure I even want to be having this conversation as it is.”

The postmaster grinned.

“Anyone else apart from us three was here, they’d say we were two foolish old men and a giant driven simple by what was ailing him.” Larry Amerling was never one to sugarcoat his words, but Dupree felt as if the older man had been reading his thoughts.

Jack interrupted.

“I heard from her father that there was some question about the Lauter girl’s death,” he said.

“Yeah, I heard that too,” said Amerling, “although I heard it from you.” He cocked an eyebrow at the painter.

“I just thought you might like to know,” said Jack. “Hell, you know just about everything else. I figure a gap in your knowledge would bug you more than most folks.”

Dupree didn’t answer immediately. He wasn’t sure that he should, but then both men already seemed to know as much as he did, or more.

“They found insect matter in her mouth, and beneath her fingernails,” he said. “It came from a moth, a tomato hornworm. They’re big and ugly and they’re all dead by September, and I’m not sure that I’ve ever even seen one on this island until recently.”

“I saw one on a tree in the cemetery, when they were laying Sylvie Lauter down,” said Jack. “I took it home, looked it up in a book, then pinned it to a board. Thought I might paint it sometime.”

“Paint it badly,” said Amerling. “You’d have to stick a note on it so folks would know what it was.”

“I’m not that bad,” said Jack.

“Yes, you are.”

“You came to my exhibition at the Lions Club.”

“There was free food.”

“I hope it poisoned you.”

“Nope, it was pretty good, unlike what was on the walls.”

Dupree interrupted them.

“Gentlemen! You’re like two old dogs fighting. It’s embarrassing.”

He picked up his cap and flicked at some dust.

“I was out at Doug Newton’s place. There was a moth there too, same type. I saw it on the curtains in his mother’s bedroom.”

But he wasn’t talking to the two older men as much as to himself. He ran his hands through his hair, then placed his cap carefully on his head. Moths. Why moths? Moths were attracted to flames, to light. Was that what it was, some form of attraction toward Sylvie Lauter and the old Newton woman? What did they have in common?

The answer came to him immediately.

Dying, that was what they had in common.

“How long have we got?” asked Dupree.

“Not long,” said Amerling. “I go outside, it’s like I can hear the island humming. The birds were the last sign. It’s bad news when even the birds fear to fly.”

“So what do we do?” asked Dupree.

“We wait, I guess. We lock our doors. We don’t go wandering near the Site at night. It’s coming soon, whatever it is. Then we’ll know. For good or bad, then we’ll know for sure.”

<p>Chapter Seven</p>

Moloch allowed them to rest for the remainder of the day, choosing to travel north under cover of darkness. Later that morning, Powell and Shepherd headed down to Marie’s Home Cooking and bought enough takeout for the day. On the way back to Perry Avenue, they stopped off at Big Gary’s Liquor Store and picked up two bottles of Wild Turkey to keep out the cold. Dexter and Braun took an opportunity to rest, once they had finished conversing softly with Shepherd in Karen Meyer’s kitchen.

Moloch had learned enough about Meyer from their past dealings to know that she was the kind of woman who would have few visitors. Her house was the last on the street, sheltered by trees and not overlooked by any of her neighbors. He didn’t know if she had a lover, but there were no photographs on the refrigerator, no little tokens of love on the shelf by the cookbooks. He went through her studio, heedless of the fingerprints that he left behind. If they found him, they already had more than enough evidence to justify the taking of his life. It mattered little to him if they added Karen Meyer’s name to the final tally.

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