• Point of View. In this series, the point of view through which the reader sees the story is in the first-person voice of Alcatraz Smedry. He also claims that he is using the name Brandon Sanderson as a pseudonym, thus this is an autobiography or memoir. Is Alcatraz Smedry a
• Asides. At times, the narrator directly addresses the reader, suggesting how s/he should interpret a comment or how to best enjoy the novel (e.g., reading aloud or acting out scenes). Does this change the reader’s sense of his or her relationship with the book? If so, how does this relationship feel different?
• Chapter Breaks. Discuss the unusual ways the author begins, ends, numbers, and sequences chapters. Is this pleasant or unpleasant? Have readers read any other works of fiction (or nonfiction) that explore chapters in this way?
• Wordplay in World-Building. To explain
Having been raised in foster homes convinced that both of his parents were horrible people, Alcatraz Smedry is often uncertain as to what it means to like, love, and trust other people. Since he is the narrator of the series, Alcatraz’s uncertainty affects readers’ perceptions of the characters he describes. In a reading journal or in class discussion, have students analyze the physical traits, lineage (parents, relationships), motivations, and concerns of major characters in the novel. How is each character related to Alcatraz? What is especially important about the idea of family relationships in this series? Does Alcatraz’s view of certain characters change in the course of single books? Do recurring characters develop or change over the course of more than one book in the series? If so, how and why do the characters evolve?
English Language Arts Common Core Reading Literature Standards
RL.3.3-6, 4.3-6, 5.3-6, 6.3-6, 7.3-6
Sanderson’s Alcatraz novels can be read on many levels, including as adventure stories, as musings on the nature of knowledge, and as fantasies incorporating elements of science fiction and steampunk. Here are some themes you may want to watch for and explore with your classmates or students.
• Talent. How does Sanderson use the word
• Heroism. Throughout the novel, Alcatraz claims to be “bad,” “a liar,” “a coward,” and “not a hero.” What makes a “hero” in a novel, a movie, and real life? Does it matter if a person acts heroically on purpose or by accident? What do you think is the most important reason Alcatraz denies his heroism?
• Knowledge, Learning, Thinking. Find instances in the stories when Alcatraz admits to acting before thinking ahead to consider all possible outcomes of his plans. In these instances, is he simply being careless or does he lack some important information since he was raised in the Hushlands? Compare and contrast the way people acquire knowledge in the Hushlands versus the Free Kingdoms.