And so she had risen, and dressed, and waited all those hours for someone to come and tell her, to make death official. Ten years ago Kincaid would have scoffed at her story, put it down to overwrought imagination charged by grief, convenient hindsight. But he had heard too many similar accounts not to have some respect for the lingering power of the spirit.
Kincaid set his cup down gingerly in its saucer, the violets on the cup meeting the saucer’s roses in delicate
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profusion. Mrs. Wade’s attention had wandered from him again. She sat with her eyes fixed on the opposite wall, the forgotten teacup still clasped in her hands. “Mrs. Wade,” he said quietly, “who were Sebastian’s particular friends?”
Her eyes came back to him, startled. “I can’t say as he had any, not really. He was at work all day and into the evening, most days. He liked to use the …” she faltered for a moment, “pool, after work. One of the perks of having a cushy job, he called it. I know he didn’t get on with that Cassie. Said she lorded it over everybody, and her no better than she should be. A construction foreman’s daughter from Clapham. Liked them to think she came from landed gentry, or some such. He used to tell me about the folk who came to stay, what they wore, how they talked. Sometimes he could make it seem like they were right there in the room with you.” She smiled, remembering, and Kincaid could hear Sebastian’s light voice, wickedly mimicking the pompous utterances of his unsuspecting victims. “But no one ever came back here with him. Mostly when he wasn’t working he stayed in his room.”
“Would you mind if I had a look at Sebastian’s room, Mrs. Wade?”
He didn’t know what he’d expected. But whatever preconceptions had hovered on the fringe of his imagination—
posters of rock stars, perhaps, remnants of adolescence—
they had been nothing like this.
This, it seemed, was where Sebastian had spent his money, apart from the payments on his motorbike, and what he spent on his clothes. The room was fitted with a pale gray Berber wool carpet, a flat commercial weave, very expensive looking. Lustrous green plants filled strategic corners. The dresser and side chairs looked like antiques, or good reproductions. The bed had high, matching curved ends. Kincaid believed it was called a sleigh bed, and again, probably a reproduction. Hanging on the pale gray walls were museum-quality framed prints, some Modernists, one or two Kincaid thought he recognized as American Impressionists.
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Sebastian’s reading matter was equally eclectic, housed in a simple pine bookcase which was the only visible holdover from his boyhood years. Childhood classics propped up stacks of magazines detailing the art of motorcycle maintenance. Stephen King mingled with espionage and the latest techno-thrillers—Sebastian’s taste had apparently run to the complicated and the devious. On the top shelf Kincaid discovered an old edition of the Complete Sherlock Holmes, and a worn set of Jane Austen.
Clothes hung neatly in the wardrobe, organized by type as well as color. The sight of those garments, waiting for their owner to pick and choose, match and discard them, struck Kincaid as almost unbearably sad.
He found the files in the back of the wardrobe, stowed carefully in a cardboard box marked “Insurance.”
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