“Fred, yes.” The host, invigorated, resumed, booming in the direction of his audience, “You see, Fred’s voice is like one of those robot computer voices down in San Diego at the bank when you drive in, perfectly toneless and artificial. It leaves in our minds no characteristics, exactly as when he reports to his superiors in the Orange County Drug Abuse, ah, Program.” He paused meaningfully. “You see, there is a dire risk for these police officers because the forces of dope, as we know, have penetrated with amazing skill into the various law-enforcement apparatuses throughout our nation, or may well have, according to most informed experts. So for the protection of these dedicated men, this scramble suit is necessary.”
Slight applause for the scramble suit. And then expectant gazes at Fred, lurking within its membrane.
“But in his line of work in the field,” the host added finally, as he moved away from the microphone to make room for Fred, “he, of course, does not wear this. He dresses like you or I, although, of course, in the hippie garb of those of the various subculture groups within which he bores in tireless fashion.”
He motioned to Fred to rise and approach the microphone. Fred, Robert Arctor, had done this six times before, and he knew what to say and what was in store for him: the assorted degrees and kinds of asshole questions and opaque stupidity. The waste of time for him out of this, plus anger on his part, and a sense of futility each time, and always more so.
“If you saw me on the street,” he said into the microphone, after the applause had died out, “you’d say, ‘There goes a weirdo freak doper.’ And you’d feel aversion and walk away.”
Silence.
“I don’t look like you,” he said. “I can’t afford to. My life depends on it.” Actually, he did not look that different from them. And anyhow, he would have worn what he wore daily anyhow, job or not, life or not. He liked what he wore. But what he was saying had, by and large, been written by others and put before him to memorize. He could depart some, but they all had a standard format they used. Introduced a couple of years ago by a gung-ho division chief, it had by now become writ.
He waited while that sank in.
“I am not going to tell you first,” he said, “what I am attempting to do as an undercover officer engaged in tracking down dealers and most of all the source of their illegal drugs in the streets of our cities and corridors of our schools, here in Orange County. I am going to tell you”—he paused, as they had trained him to do in PR class at the academy—“what I am afraid of,” he finished.
That gaffed them; they had become all eyes.
“What I fear,” he said, “night and day, is that our children, your children and my children …” Again he paused. “I have two,” he said. Then, extra quietly, “Little ones, very little.” And then he raised his voice emphatically. “But not too little to be addicted, calculatedly addicted, for profit, by those who would destroy this society.” Another pause. “We do not know as yet,” he continued presently, more calmly, “specifically who these men—or rather animals—are who prey on our young, as if in a wild jungle abroad, as in some foreign country, not ours. The identity of the purveyors of the poisons concocted of brain-destructive filth shot daily, orally taken daily, smoked daily by several million men and women—or rather, that were once men and women—is gradually being unraveled. But finally we will, before God, know for sure.”
A voice from the audience: “Sock it to ‘em!”
Another voice, equally enthusiastic: “Get the commies!”
Applause and reprise severally.
Robert Arctor halted. Stared at them, at the straights in their fat suits, their fat ties, their fat shoes, and he thought, Substance D can’t destroy their brains; they have none.
“Tell it like it is,” a slightly less emphatic voice called up, a woman’s voice. Searching, Arctor made out a middle-aged lady, not so fat, her hands clasped anxiously.
“Each day,” Fred, Robert Arctor, whatever, said, “this disease takes its toll of us. By the end of each passing day the flow of profits—and where they go we—” He broke off. For the life of him he could not dredge up the rest of the sentence, even though he had repeated it a million times, both in class and at previous lectures.
All in the large room had fallen silent.
“Well,” he said, “it isn’t the profits anyhow. It’s something else. What you see happen.”