Schaffer turned and lifted his head in an almost grotesque slow motion and this time the whole universe of brightly dancing stars was reduced to the odd constellation or two. He recognised the voice from the distant past now, it was that of Mary Ellison, he even thought he recognised the pale strained face looking down from above, but he couldn't be sure, his eyes weren't focusing as they should. He wondered dizzily what the hell she was doing up there staring down at him through what appeared to be the bars of a shattered sky-light: his mind, he dimly realised, was operating with all the speed and subtle fluency of a man swimming upstream against a river of black molasses.
'Are you -- are you all right?' Mary asked.
Schaffer considered this ridiculous question carefully. 'I expect I shall be,' he said with great restraint. 'What happened?'
'They hit you with your own gun.'
'That's right.' Schaffer nodded and immediately wished he hadn't. He gingerly fingered a bruise on the
'A dog. It sounded like a dog barking.'
'That's what I thought.' His voice slurred and indistinct, he staggered drunkenly across to the lower iron door and put his ear to it. 'Dogs,' he said. 'Lots of dogs. And lots and lots of hammering. Sledge-hammers, like enough.' He left the door and walked back to the centre of the floor, still staggering slightly. "They're on to us and they're coming for us. Where's the Major?'
'He went after them.' The voice was empty of all feeling. 'He jumped on to the top of the cable-car.'
'He did, eh?' Schaffer received the news as if Smith's action had been the most natural and inevitable thing in the world. 'How did he make out?'
'How did he make -- u' There was life back in her voice now, a shocked anger at Schaffer's apparent callousness. She checked herself and said: 'There was a fight and I think someone fell off the roof. I don't know who it was.'
'It was one of them,' Schaffer said positively.
'One of -- -how can you say that?'
"The Major Smiths of this world don't drive over the edge of a cliff. Quotation from the future Mrs. Schaffer. The Major Smiths of this world don't fall off the roofs of cable-cars. Quotation from the future Mrs. Schaffer's future husband.'
'You're recovering,' Mary said coldly. 'But I think you're right. There's still someone sitting on top of the cable-car and it wouldn't be one of them, would it?'
'How do you know there's someone sitting--'
Schaffer looked for himself, then rubbed a weary forearm across aching eyes. 'I have news for you, love/ he said. 'I can't even see the damn' cable-car."
The cable-car was ten yards away from the central pylon. Smith, upright now, stooped, tore off the two friction fuses, straightened and, holding the cable in his left hand, took up position just on the inner side of the car roof. At the last moment he released his grip on the cable and stretched both arms out before him to break the impact of his body against the suspension arm. The ascending car on the other cable was now almost as close to the central pylon as his own. It didn't seem possible that he could make it in time.
The impact of the horizontal suspension arm drove the thought from his mind and all the breath from his body; had it not been for the buffering effect of his outstretched arms, Smith was sure, some of his ribs must have gone. As it was, he was almost completely winded but he forced himself to ignore the pain and his heaving lungs' demand for oxygen, swung his feet up till they rested on the lower cross-girder, hooked his hands round the upper girder and made his way quickly across to the other side. At least, his hands and his feet moved quickly, but the steel was so thickly coated in clear smooth ice that his scrabbling feet could find almost no purchase whatsoever on the lower girder. He had reached no farther than the middle when the ascending car began to pass under its suspension arm. For the first time that night Smith blessed the brightness of the moon. He took two more slipping, sliding steps and launched himself towards the ice-coated cable that glittered so brightly in the pale moonlight.