“I will not. The truth is, you have come to me at the most inauspicious moment in the past twenty years, and with proposals much more likely to vex me than to interest me. I don’t care a hang who your new chef will be, and while I always like to make money, that can wait until I am back in my office. There are others here better qualified to approach Mr. Berin for you than I am—Mr. Servan or Mr. Coyne, for instance, old friends of his.”
“They’re chefs themselves. I don’t want that. You’re the man to do it for me. …”
He was a persistent cuss, but it didn’t get him anywhere. When he tried to insist Wolfe merely got curter, as he naturally would, and finally Liggett realized he was calling the wrong dog and gave it up. He popped up out of his chair, snapped at Malfi to come along, and without any ceremony showed Wolfe his back. Malfi trotted behind, and I followed them to the hall to see that the door was locked after them.
When I got back to the room, Wolfe was already behind his paper again. I felt muscle-bound and not inclined to settle down, so I said to him, “You know, Werowance, that’s not a bad idea—”
A word he didn’t know invariably got him. The paper went down to the level of his nose. “What the devil is that? Did you make it up?”
“I did not. I got it from a piece in the Charleston
The paper was up again, so I knew I had made myself sufficiently obnoxious. I said, “I’m going out and wade in the brook, and maybe go to the hotel and ruin a few girls. See you later.”
I got my hat, hung up the DO NOT DISTURB, and wandered out, noting that there was a greenjacket at the door of the main hall but no cop. Apparently vigilance was relaxed. I turned my nose to the hotel, just to see what there was to see, and it wasn’t long before I regretted that, for if I hadn’t gone to the hotel first I would have got to see the whole show that my friend Tolman was putting on, instead of arriving barely in time for the final curtain. As it was, I found various sights around the hotel entrance and lobby that served for mild diversion, including an intelligent-looking horse stepping on a fat dowager’s foot so hard they had to carry her away, and it was around 3:30 when I decided to make an excursion to Pocahontas Pavilion and thank Vukcic, my host, for the good time I was having. In a secluded part of the path a guy with his necktie over his shoulder and needing a shave jumped out from behind a bush and grabbed my elbow, talking as he came: “Hey, you’re Archie Goodwin, aren’t you, Nero Wolfe’s man? Listen, brother—”
I shook him off and told him, “Damn it, quit scaring people. I’ll hold a press conference tomorrow morning in my study. I don’t know a thing, and if I did and told you I’d get killed by my werowance. Do you know what a werowance is?”
He told me to go to hell and started looking for another bush.
The tableau at Pocahontas Pavilion was in two sections when I got there. The first section, not counting the pair of troopers standing outside the entrance, was in the main hall. The greenjacket who opened the door for me was looking popeyed in another direction as he pulled it open. The door to the large parlor was closed. Standing with her back against the right wall, with her arms folded tight against her and her chin up, and her dark purple eyes flashing at the guys who hemmed her in, was Constanza Berin. The hemmers were two state cops in uniform and a hefty bird in cits with a badge on his vest, and while they weren’t actually touching her at the moment I entered, it looked as though they probably had been. She didn’t appear to see me. A glance showed me that the door to the small parlor was open, and a voice was coming through. As I started for it one of the cops called a sharp command to me, but it seemed likely he was too occupied to interfere in person, so I ignored it and went on.