Thicker Than Water

‘It’s probably fair to say that he’s thought about you,’ Basquiat pointed out, her tone hard. ‘He painted your name in his blood.’

I shrugged again. ‘Maybe he was starting to write his will,’ I suggested. Well, what the fuck? My conscience was clean, at least as far as attempted murders were concerned. Whatever this looked like, I knew what it wasn’t: it wasn’t The Tell-Tale Heart.

‘You still want to leave this hanging?’ Basquiat asked Coldwood.

Gary shook his head once, brusque and emphatic. ‘No,’ he said. ‘We’ll need ty">‘We’ll o take you in for questioning, Fix, and we’ll need a formal statement. I’m sorry.’ That one hit me before I was ready for it.

‘What about the other seventeen Castors?’ I asked, aghast.

‘They stopped being relevant when you told us you knew this bloke.’

‘So am I being charged?’

Coldwood opened his mouth, but Basquiat’s snarl cut across whatever he was going to say.

‘That would look great in court, wouldn’t it? Invite you down here to read the scene, then arrest you when you get here? No, Castor, you’re just assisting us with our inquiries. Anything else will have to wait until we’ve got the forensics in.’

She was looking at Gary rather than at me as she said all this, and it was clear that there was an unspoken question between them.

‘Under the circumstances, Detective Sergeant Basquiat,’ Coldwood said with clipped formality, ‘I think it advisable that you conduct the interview with Mister Castor. My personal and professional relationship with him probably precludes my being involved in interrogating him or taking a statement from him.’

There was a momentary silence, then Basquiat nodded, seemingly satisfied.

‘But if you’re thinking of having a testicle roast,’ Gary added, ‘then think again.’

‘He’s as safe as if he was in God’s pocket,’ Basquiat promised blandly.

She jerked her head in a way that obviously conveyed a lot of information to her entourage of bluebottles. Two of them fell in on either side of me and led me away.

4

It wasn’t as bad as it could have been. Basquiat played by the rules, mostly. She was just kidding about God’s pocket, but I got to keep my testicles.

She seemed mostly concerned with getting me on record about my previous relationship with Kenny, and she only cut up rough when I tried to back-pedal from the lurid story I’d sketched out on the overpass. I’ve had a few run-ins with the law in my time and I’m pretty good on the rules of evidence, so I knew that none of what I was saying could be used to establish just cause: but I also knew how bad it would sound in court if the Met ever did decide to charge me, so I was more careful with my phrasing than I’d been during the first rendition - and Basquiat, knowing her job, shone a torch into every area of vagueness and obscurity and tripped me up whenever I contradicted myself.

There was no malice in it, which made this a distinct improvement on the time when Basquiat had interviewed me with her fists in the course of the Abbie Torrington case. But I was still sweaty, dishevelled and exhausted by the time we were done - and, admiring the detective sergeant’s lean good looks in passing, I wassiz„ reminded that there are more pleasant ways of getting that way.

After the interview and the grand, formal taking of the statement they left me to cool for a while in a smaller cell at the end of a long corridor that smelled of piss and stewed cabbage. Someone told me once that the Uxbridge Road cop shop used to be a workhouse back in Victorian times, and I can believe it. There’s a damp, miserable effluvium about the place that you’d need a Jamaican steel band and a flame-thrower to disperse. There are also a fair number of ghosts, and I got to meet three of them: two broadly human in appearance, the third an amorphous nightmare that had forgotten what it was long ago and now only held itself together by some inchoate impulse that kept it moving like a shark around and around the lower storeys of the building.

I was doing the same thing, only on the inside: prowling my own memories in pointless circles that always seemed to bring me out in more or less the same place.

Eventually Basquiat came back in and told me I was free to go.

‘What swung it?’ I asked her, knowing that she’d mainly been keeping me around while she made her mind up.

She looked at me hard for a second before answering: I had no right to ask, of course, and if they did end up charging me they wouldn’t want me in a position to second-guess the evidence. On the other hand, there’s never anything to lose by trying.