Sometimes during the summer they sat together on a playground near the Mississippi River, the four of them: Benny, Sarah, Julian, and Benny’s mother, Dorothea, who usually watched the baby whenever Sarah fell into one of her periodic brown studies, which, following the birth, had increased in duration and intensity. Often they packed sandwiches for a picnic, Sarah’s favorite being curried chicken salad and deviled eggs. At such times, having finished nursing her son and having tied the loops of his sun hat, Sarah would stare off in the direction of the river’s other shore as if Sirens sang over there, and only nudges and direct address could call her back. “She’s just woolgather
Once in late summer, however, Sarah startled to life and waved her hand in front of her face to dispel the mosquitoes. She seemed to be coming up from some depth somewhere in another life. Turning one by one to Benny, Julian, and her mother-in-law, she smiled as if she approved of all of them and could bless them. Benny sat on a bench next to her, the baby sleeping in his lap, and Benny’s mother, who had strolled to the edge of the Mississippi, was examining the wildflowers along the bank. Grade-school children yelled from the play structure, and nearby a freight train rattled over the river, heading north. Overhead, an airplane left behind a thin vapor trail, and in the trees the cicadas chirred. “I never played any Bach for you,” she said, her voice a soft murmur. “And I don’t do stand-up anymore.”
“You still can.”
“I’ve never played any Bach for you,” she repeated. “I always meant to. Do you know that story about Bach? The last night of his life?” Benny shook his head. Holding Benny’s hand, Sarah continued with the story. “I read it on the back of a record album. You know Bach went blind? He had cataracts and things, probably. And to make matters worse, he was treated by this guy, this traveling English quack doctor named Taylor. Goodbye, eyesight. So anyway, on the evening before he died, Bach is granted a momentary miraculous return of his vision. His sons take him outside, one on each arm, and, guess what, Bach gazes upward to see the stars. The next day he died.” She looked straight up as if in imitation.
“I like that story.”
“Me too.” She held up her index finger to make a final pronouncement, one that Benny would always remember. “To his servant Bach, God granted a final glimpse of the heavens.”
Julian, now awake in his father’s lap, reached up to his mother’s face, whereupon she smiled.
—
She didn’t die the way Benny thought she would, after a long life. Instead, she lost control of her car in a rainstorm. Her car skidded off the freeway and rolled four times down a hill. She would have survived the accident if she had been wearing a seat belt, but for some reason she hadn’t bothered to attach it that particular day.
—
After she died, he grieved for her as he had grieved for her when she had still been alive — as a passion thriving on an absence that feeds on itself year after year. For months, out of habit, he continued to sketch possible houses in which she might have been happy, although none of these houses ever had human figures inside them.
—
Benny’s second wife, Jane, also an architect, is a tall brainy woman who loves Benny and Julian dearly, and together they have had two more children, twins. Myths and fairy tales instruct us that the arrival of the stepmother is to be feared, but she has always treated Julian as her own child, and although she has learned to discipline him when the situation requires it, her scolding lacks a certain force and confidence. One coincidence, if it could be called that, is that Jane’s red hair is so similar to the color that Sarah imported to herself that the two women might have once been mistaken for each other, and when she dresses Julian in his snowsuit — a