The Way of Kings

Shallan froze, realizing for the first time what she’d been drawing. Not another scene from the alleyway, but a lavish room with a thick, ornamented rug and swords on the walls. A long dining table, set with a half-eaten meal.

And a dead man in fine clothing, lying face-first on the floor, blood pooling around him. She jumped back, tossing aside the charcoal, then crumpled up the paper. Shaking, she moved over and sat down on the bed among the pictures. Dropping the crumpled drawing, she raised her fingers to her forehead, feeling the cold sweat there.

Something was wrong with her, with her drawings.

She had to get out. Escape the death, the philosophy and the questions. She stood and hurriedly strode into the main room of Jasnah’s quarters. The princess herself was away researching, as always. She hadn’t demanded that Shallan come to the Veil today. Was that because she realized that her ward needed time to think alone? Or was it because she suspected Shallan of stealing the Soulcaster, and no longer trusted her?

Shallan hurried through the room. It was furnished only with the basics provided by King Taravangian. Shallan pulled open the door to the hallway, and nearly ran into a master-servant who had been reaching up to knock.

The woman started, and Shallan let out a yelp. “Brightness,” the woman said, bowing immediately. “Apologies. But one of your spanreeds is flashing.” The woman held up the reed, affixed on the side with a small blinking ruby.

Shallan breathed in and out, stilling her heart. “Thank you,” she said. She, like Jasnah, left her spanreeds in the care of servants because she was often away from her rooms, and was likely to miss any attempt to contact her.

Still flustered, she was tempted to leave the thing and continue on her way. However, she did need to speak with her brothers, Nan Balat particularly, and he’d been away the last few times she’d contacted home. She took the spanreed and closed the door. She didn’t dare return to her rooms, with all of those sketches accusing her, but there was a desk and a spanreed board in the main room. She sat there, then twisted the ruby.

Shallan? the reed wrote. Are you comfortable? It was a code phrase, meant to indicate to her that it was indeed Nan Balat – or, at least, his betrothed – on the other side.

My back hurts and my wrist itches, she wrote back, giving the other half of the code phrase.

I’m sorry I missed your other communications, Nan Balat sent. I had to attend a feast in Father’s name. It was with Sur Kamar, so it wasn’t really something I could miss, despite the day of traveling each way.

It’s all right, Shallan wrote. She took a deep breath. I have the item. She turned the gem.

The reed was still for a long moment. Finally, a hurried hand wrote, Praise the Heralds. Oh, Shallan. You’ve done it! You are on your way back to us, then? How can you use the spanreed on the ocean? Are you in port?

I haven’t left, Shallan wrote.

What? Why?

Because it would be too suspicious, she wrote. Think about it, Nan Balat. If Jasnah tries the item and finds it broken, she might not immediately decide that she’s been had. That changes if I’ve suddenly and suspiciously left for home.

I have to wait until she’s made the discovery, then see what she does next. If she realizes that her fabrial was replaced with a fake, then I can deflect her toward other culprits. She’s already suspicious of the ardentia. If – on the other hand – she assumes that her fabrial has broken somehow, I’ll know we’re free.

She twisted the gem, setting the spanreed in place.

The question she’d been expecting came next. And if she immediately assumes that you did it? Shallan, what if you can’t deflect her suspicion? What if she orders a search of your chambers and they find the hidden compartment?