'Shit and gone,' the Engineer said. 'Used and gone. But is it only a picture on a shirt of
'I'll twist his arm out of its socket, or break it, to make him strong and able to walk…You've seen enough?'
'He has the shoulders and chest to take the vest…I have seen enough.'
Beneath them, the young man had dropped his bag on to the ground by his feet. He looked around him, waiting for the approach. Both Ajaq and the Engineer did the drills familiar to them. They watched for tails, for the surveillance people. To both men, the obvious and unspoken concern was that the youth who was a 'walking dead' had been identified, had been allowed to go on and enter a network. But they saw no tails from their vantage-point, no surveillance. It was this obsession with detail that had kept them alive and loose in the Triangle to the west of Baghdad.
'Have you seen yet the one who meets him?'
'No. He will be here, I am sure — but I cannot do everything.'
'Already, my friend, you have more burdens than one man should carry' the Engineer said sombrely.
They walked away, and the postcard from the Rijksmuseum of Amsterdam, of a painting created three and a half centuries before, of a swan with webbed claws apart, wings raised to fight and neck twisted in anger, was torn into many pieces and dropped on to a coffee shop table.
The morning was not yet finished, but the day had already been long; The meeting at the coast, the extraction of the packet from the boat's kitchen, the retrieval of monies, the settling of the matter of the boat's driver, more than five hundred kilometres of driving with the Engineer at the wheel and the return to the capital — he was drained. Ajaq needed to sleep before he met the young man. When he had slept he would have the charm and the mesmerizing gaze in his eyes that would calm the one who wished for martyrdom. And the Engineer, also, needed sleep because his fingers must be nimble and supple for the circuits and the wiring.
For part of Muhammad Ajaq there might have been, here, a sense of homecoming. Half of his heritage, his blood, was here. He hated that half…That blood had fashioned him, made him what he was.
They walked in the rain away from the station.
The body floated face down. It was wedged under the slats of the pontoon at the far extremity of the marina's spider legs. The pontoon rested on large plastic drums that gave it buoyancy and also prevented the body being carried by tide or current from under the pontoon. It was beside the berth of a luxury launch that, when the boating season for weekend sailors started, would be the same centre of envied attraction as it had been since the
Its legs and arms splayed out, zebra stripes of light on its back, the body lay — unfound and unmourned — under the pontoon's slats, the last tied knot of a conspiracy's small loose end.