The Stories of John Cheever

I’ll blame it on the roast, the roast, the Sunday roast bought from a butcher who wore a straw boater with a pheasant wing in the hat band. I suppose the roast entered our house, wrapped in bloody paper, on Thursday or Friday, traveling on the back of a bicycle. It would be a gross exaggeration to say that the meat had the detonative force of a land mine that could savage your eyes and your genitals but its powers were disproportionate. We sat down to dinner after church. (My brother was living in Omaha so we were only three.) My father would hone the carving knife and make a cut in the meat. My father was very adroit with an ax and a crosscut saw and could bring down a large tree with dispatch, but the Sunday roast was something else. After he had made the first cut my mother would sigh. This was an extraordinary performance, so loud, so profound, that it seemed as if her life were in danger. It seemed as if her very soul might come unhinged and drift out of her open mouth. “Will you never learn, Leander, that lamb must be carved against the grain?” she would ask. Once the battle of the roast had begun the exchanges were so swift, predictable, and tedious that there would be no point in reporting them. After five or six wounding remarks my father would wave the carving knife in the air and shout, “Will you kindly mind your own business, will you kindly shut up?” She would sigh once more and put her hand to her heart. Surely this was her last breath. Then, studying the air above the table, she would say, “Feel that refreshing breeze.”

There was, of course, seldom a breeze. It could be airless, midwinter, rainy, anything. The remark was one for all seasons. Was it a commendable metaphor for hope, for the serenity of love (which I think she had never experienced), was it nostalgia for some summer evening when, loving and understanding, we sat contentedly on the lawn above the river? Was it no better or no worse than the sort of smile thrown at the evening star by a man who is in utter despair? Was it a prophecy of that generation to come who would be so drilled in evasiveness that they would be denied forever the splendors of a passionate confrontation?

The scene changes to Rome. It is spring, when the canny swallows flock into the city to avoid the wing shots in Ostia. The noise the birds make seems like light as the light of day loses its brilliance. Then one hears, across the courtyard, the voice of an American woman. She is screaming. “You’re a Goddamned fucked-up no-good insane piece of shit. You can’t make a nickel, you don’t have a friend in the world, and in bed you stink…” There is no reply, and one wonders if she is railing at the dark. Then you hear a man cough. That’s all you will hear from him. “Oh, I know I’ve lived with you for eight years, but if you ever thought I liked it, any of it, it’s only because you’re such a chump you wouldn’t know the real thing if you had it. When I really come the pictures fall off the walls. With you it’s always an act.”

The high-low bells that ring in Rome at that time of day have begun to chime. I smile at this sound although it has no bearing on my life, my faith, no true harmony, nothing like the revelations in the voice across the court. Why would I sooner describe church bells and flocks of swallows? Is this puerile, a sort of greeting-card mentality, a whimsical and effeminate refusal to look at facts? On and on she goes but I will follow her no longer. She attacks his hair, his brain, and his spirit while I observe that a light rain has begun to fall and that the effect of this is to louden the noise of traffic on the Corso. Now she is hysterical—her voice is breaking—and I think perhaps that at the height of her malediction she will begin to cry and ask his forgiveness. She will not, of course. She will go after him with a carving knife and he will end up in the emergency ward of the Policlinico, claiming to have wounded himself, but as I go out for dinner, smiling at beggars, fountains, children, and the first stars of evening, I assure myself that everything will work out for the best. Feel that refreshing breeze.

My recollections of the Cabots are only a footnote to my principal work and I go to work early these winter mornings. It is still dark. Here and there, standing on street corners, waiting for buses, are women dressed in white. They wear white shoes, white stockings, and white uniforms can be seen below their winter coats. Are they nurses, beauty-parlor operators, dentist’s helpers? I’ll never know. They usually carry a brown paper bag holding, I guess, a ham on rye and a thermos of buttermilk. Traffic is light at this time of day. A laundry truck delivers uniforms to the Fried Chicken Shack and in Asburn Place there is a milk truck—the last of that generation. It will be half an hour before the yellow school buses start their rounds.