Feeling sad, heavy-hearted, important, caught up on those streams of feeling that never surface, he went into the kitchen and made their drinks. When he came back into the room, she was sitting on a sofa, and he joined her there; seemed immersed in her mouth, as if it was a maelstrom; spun around thrice and sped down the length of some stupendous timelessness. The dialogue of sudden love doesn’t seem to change much from country to country. We say across the pillow, in any language, “Hullo, hullo, hullo, hullo, hullo,” as if we were involved in some interminable and tender transoceanic telephone conversation, and the adulteress, taking the adulterer into her arms, will cry, “Oh, my love, why are you so bitter?” She praised his hair, his neck, the declivity in his back. She smelled faintly of soap—no perfume—and when he said so she said softly, “But I never wear perfume when I’m going to make love.” They went side by side up the narrow stairs to her room—the largest room in a small house, but small at that, and sparsely furnished, like a room in a summer cottage, with old furniture that had been painted white and with a worn white rug. Her suppleness, her wiles, seemed to him like a staggering source of purity. He thought he had never known so pure, gallant, courageous, and easy a spirit. So they kept saying “Hullo, hullo, hullo, hullo” until three, when she made him leave.