The Shadow of the East

She lay with relaxed muscles and closed eyes. It seemed a long while before the men joined her. She wondered what they were talking about—whether to Peters would be imparted the information that had been withheld from her. For the feeling of a nearly impending calamity was strong within her. When at last they came she looked with covert anxiety from one to the other, but their faces told her nothing. For a few minutes Peters lingered beside her chatting and then gravitated toward the piano, as she had hoped he would. Arranging the heaped up cushions more comfortably around her she gave herself up to the delight of his music and it seemed to her that she had never heard him play so well.

Near her Craven was standing before the fern-filled fireplace, leaning against the mantel, a cigarette drooping between his lips. From where she lay she could watch him unperceived, for his own gaze was directed through the open French window out on to the terrace, and she studied his set handsome face with sorrowful attention. He appeared to be thinking deeply, and, from his detached manner, heedless of the harmony of sound that filled the room. But her supposition was soon rudely shaken. Peters had paused in his playing. When a few moments later the plaintive melody of an operatic air stole through the room she saw her husband start violently, and the terrible pallor she had witnessed once before sweep across his face. She clenched her teeth on her lip to keep back the cry that rose, and breathlessly watched him stride across the room and drop an arresting hand on Peters’ shoulder. “For God’s sake don’t play that damned thing!” she heard him say in a voice that was almost unrecognisable. And then he passed out swiftly, into the garden.

A spasm of jealous agony shook her from head to foot. With quick intuition she guessed that the air that was unknown to her must be connected in some way with the sorrow that darkened his life, and the spectre of the past she tried to forget seemed to rise and grin at her triumphantly. She shivered. Would its power last until life ended? Would it stand between them always, rivalling her, thwarting her every effort?

For a long time she dared not look at Peters, who had responded without hesitation to Craven’s unceremonious request, but when at length she summoned courage to glance at him it seemed as if he had already forgotten the interruption. His face wore the absent, almost spiritual look that was usual when he was at the piano and his playing gave no indication of either annoyance or surprise. She breathed a quick sigh of relief and, slightly altering her position, lay where she could see the solitary figure on the terrace. Erect by the stone ballustrade, his arms folded across his chest, staring intently into the night as if his gaze went far beyond the confines of the great park, he seemed to her a symbol of incarnate loneliness, and her heart contracted at the thought of the suffering and solitude she might not share. If he would only turn to her! If she had only the right to go to him and plead her love, beg the confidence she craved, and stand beside him in his sorrow! But he stood alone, beyond her reach, even unaware of her longing.

The slow tears gathered thick in her eyes.

For long after the keyboard became an indistinguishable blur Peters played on untiringly. But at last he rose, closed the piano and turned on an electric lamp that stood near.

“Eleven o’clock,” he exclaimed contritely. “Bless my soul, why didn’t you stop me! I forget the time when I’m playing. I’ve tired you out. Go to bed, you pale child. I’m walking home, I’ll see Barry on the terrace as I pass.”

She slid from the sofa and took his outstretched hands.

“Your playing never tires me!” she answered, with a little upward glance. “You’ve magic at the ends of your fingers, David dear.”

She went to the open window to watch him go, and presently saw him reappear round the angle of the house and join Craven on the terrace. They stood talking for a few minutes and then together descended the long flight of stone steps to the rose garden, from which, by a short cut through a little copse, could be reached the path that crossing the park led to the Hermitage. It was the habit of Peters when he had been dining at the big house to walk home thus and, as to-night, Craven almost always accompanied him.