The Shadow of the East

It was not the answer for which she had hoped and her eyes dropped at the curt monosyllable. She put the cup back on the tray and folded her hands in her lap with a faint little sigh of disappointment, her head drooping pensively. Craven knew instinctively that he had hurt her and hated himself. It was like striking a child. But presently she looked up again and gazed at him soberly, wrinkling her forehead in unconscious imitation of his.

“O Hara San very bad selfish girl. Hoping you very unhappy in Tokio,” she said contritely.

He laughed at the naive confession and the gloom vanished from his face as he stood up, his long limbs cramped with the uncongenial attitude.

“What have you been doing while I was away?” he asked, crossing the room to look at a new kakemono on the wall.

She flitted away silently and returned in a few moments carrying a small panel. She put it into his hands, drawing near to him within the arm he slipped round her and slanted her head against him, waiting for his criticism with the innate patience of her race.

Craven looked long at the painting. It was a study of a solitary fir tree, growing at the edge of a cliff—wind-swept, rugged. The high precipice on which it stood was only suggested and far below there was a hint of boundless ocean—foam-crested.

It was the tree that gripped attention—a lonely outpost, clinging doggedly to its jutting headland, rearing its head proudly in its isolation; the wind seemed to rustle through its branches, its gnarled trunk showed rough and weather-beaten. It was a poem of loneliness and strength.

At last Craven laid it down carefully, and gathering up the slender clasped hands, kissed them silently. The mute homage was more to her than words. The colour rushed to her cheeks and her eyes devoured his face almost hungrily.

“You like it?” she whispered wistfully.

“Like it?” he echoed, “Gad! little girl, it’s wonderful. It’s more than a fir tree—it’s power, tenacity, independence. I know that all your work is symbolical to you. What does the tree mean—Japan?”

She turned her head away, the flush deepening in her cheeks, her fingers gripping his.

“It means—more to me than Japan,” she murmured. “More to me than life—it means—you,” she added almost inaudibly.

He swept her up into his arms and carrying her out on to the verandah, dropped into a big cane chair that was a concession to his western limbs.

“You make a god of me, O Hara San,” he said huskily.

“You are my god,” she answered simply, and as he expostulated she laid her soft palm over his mouth and nestled closer into his arms.

“I talk now,” she said quaintly. “I have much to tell.”

But the promised news did not seem forthcoming for she grew silent again, lying quietly content, rubbing her head caressingly from time to time against his arm and twisting his watch-chain round her tiny fingers.

The night was very quiet. No sound came from within the house, and without only the soft wind murmuring in the trees, cicadas chirping unceasingly and the little river dashing down the hillside, splashing noisily, broke the stillness. Nature, the sleepless, was awake making her influence felt with the kindly natural sounds that mitigate the awe of absolute silence—sounds that harmonized with the peacefulness of the little garden. Tonight the contrast between Yokohama, with its pitiful western vulgarity obtruding at every turn, and the quiet beauty of his surroundings struck Craven even more sharply than usual. It seemed impossible that only two miles away was Theatre Street blazing and rioting with all its tinsel tawdriness, flaring lights and whining gramophones. Here was another world—and here he had found more continuous contentment than he had known in the last ten years. The garden was an old one, planned by a master hand. By day it was lovely, but by night it took on a weird beauty that was almost unreal. The light of the moon cast strong black shadows, deep and impenetrable, that hovered among the trees like sinister spirits lurking in the darkness.

The trees themselves, contorted in the moonlight, assumed strange forms—vague shapes played in and out among them—the sombre bushes seemed alive with peeping faces. It was the Garden of Enchantment, peopled with a thousand djinns and demons of Old Japan. The atmosphere was mysterious, the air was saturated with sweet heavy scents.