By 9.30 p.m. Mr Edward Wilkins had been driven back to his home in Diamond Close; Phillips, at long last, had been given permission to call it a day; and Lewis, tired and dejected, sat in Morse's office, wondering where they had all gone so sadly wrong. Perhaps he might have suspected - and he'd actually
'No. I'll get straight home, if you don't mind, sir. It's been a long day, and I should think the missus'll have something cooking for me.'
'I should be surprised if she hasn't.'
'You're looking tired, sir. Do you want me to give you a lift?' Morse nodded wearily. 'Just drop me at the Friar, if you will.’
As he walked up to the entrance, Morse stopped. Red, blue, green and orange lights were flashing through the lounge windows, and the place was athrob with the live music of what sounded like some Caribbean delirium at the Oval greeting a test century from Vivian Richards. Morse checked his step and walked round to the public bar, where in comparative peace he sat and drank two pints of Morrell's bitter and watched a couple of incompetent pool-players pretending to be Steve Davises. On the wall beside the dartboard he saw the notice:
7th January LIVE MUSIC 7-1lp.m. Admission Free!! The fabulous CALYPSO QUARTET
Morse pondered a quick third pint; but it wanted only a couple of minutes to eleven, and he decided to get home - just a few minutes’ walk away, along Carlton Road and thence just a little way down the Banbury Road to his bachelor flat. But something thwarted this decision, and he ordered another pint, a large Bell's Scotch and a packet of plain crisps.
At twenty minutes past eleven he was the last one in the " public bar, and the young barman wiping the table-tops suggested that he should finish his drink and leave: it was not unknown (Morse learned) for the police to check up on over-liquored loiterers after a live music evening.
As he left, Morse saw the Calypso Quartet packing away its collection of steel drums and sundry other Caribbean instruments into the back of an old, oft-dented Dormobile. And suddenly Morse stopped. He stopped dead. He stopped as if petrified, staring at the man who had just closed the back door of the vehicle and who was languidly lolling round to the driving seat. Even in the bitter late-night air this man wore only a blood-red, open-necked shirt on the upper part of his loose-limbed body; whilst on his head he had a baggy black-and-white checked cap that covered all his hair apart from the beaded dreadlocks which dangled on either side of his face like the snakes that once wreathed the head of the stone-eyed Gorgon.
'You all right, man?' enquired the coloured musician, holding both hands up in a mock gesture of concern about a fellow mortal who seemed to have imbibed too freely perhaps and too well. And Morse noticed the hands - hands that were almost like the hands of a white man, as though the Almighty had just about run out of pigment when he came to the palms.
‘You all right, man?' repeated the musician.
Morse nodded, and there appeared on his face a stupidly beatific smile such as was seldom seen there - save when he listened to the love duet from Act One of
Morse should (he knew it!) not have left things where they were that night. But his eyelids drooped heavily over his prickly-tired eyes as he walked back to his flat; and in spite of his elation, he had little enough strength left, little appetite for anything more that day. But before throwing himself on the longed-for bed, he did ring Lewis; and prevailed upon Mrs Lewis (still up) to rouse her husband (an hour abed) for a few quick words before January 7th drew to its seemingly interminable close. And when, after only a brief monologue from Morse, a weary-brained Lewis put his receiver down, he, too, knew the identity of the man who on New Year's Eve had walked back to the annexe of the Haworth Hotel with Helen Smith on the one side and Philippa Palmer on the other.
Chapter Forty-one
Wednesday, January 8th: a.m.