complexified tesseract, 252–253, 256–261, 264–266
moving forward and backward in our universe’s time by moving through the bulk, 261, 271
science compromises to make film great, 61–62, 63–64, 97–98, 144–145, 168–169, 196
science compromises to make film accessible to mass audience, 69–70, 76, 150–151, 242
Kip’s overall view on his science compromises, 9
use of sets instead of computer graphics, 13–14
communicating rule sets to audience, 262
oxygen cycle, 281
pathogens, 108–111, 113
planets of our solar system, 20–21,
Professor Brand’s equation, 200–201, 212–222;
Kip’s discussions with Christopher Nolan about what the equation should be,
and the Professor’s struggle to understand gravity, 213–220
and controlling gravity’s strength, so as to lift colonies off Earth, 212, 221, 223, 263, 273–274
specific form of the equation,
explanation of equation, 220–221
solving the equation—what that means, 221
iterations in solving the equation, 221–222,
quantum data,
quantum fluctuations, 28–29, 155–156, 197, 223–225, 268, 273, 287
quantum foam, 134–135, 224–225
quantum gravity data
what these data are, 224–225
encoded in the singularities inside a black hole, 225–227
extracting them from a singularity, 170, 223, 266
quantum gravity,
quantum physics,
quasars:
discovery of, 88–89
explanation by black-hole accretion disk, 89–91
jets powered by whirling magnetic fields, 91–92
revolutions that upend scientific truth, 24, 202
rocket technology:
twenty-first century, 68, 117
far future, 117–120
science:
the power of, for humans, 275
the importance of understanding science, its power and its limitations, 275
truth, educated guess, and speculation in, 30–34
science fiction:
contrast with science fantasy, 62
respectability in, 246–247
singularities:
what a singularity is, 225–226
as the domain of quantum gravity, 49, 225–227
naked singularities, 59, 227–230
inside black holes,
singularities inside black holes:
the chaotic, lethal BKL singularity, 230–231, 246
the infalling (mass-inflation) singularity, 232–233, 246, 248–249
the outflying (shock) singularity, 233–234, 246, 248–249
“gentleness” of infalling and outflying singularities, 234, 246–247
Cooper sandwiched between singularities in
slingshots,
solar system, 20–21,
solving gravity,
space colonies, 273–275, 290
spacetime:
unification (mixing) of space and time, 185–186
causal structure of, 297–298
warping of,
space warps,
stars:
nearest, 115–117
Tau Ceti, 115–117
Proxima Centauri, 21, 116–117, 120
torn apart by black holes, 93–94, 148–149
Sun, 20–21,
space warped around, 37–39, 47,
tidal forces of, 43
temperature of, 94
gravitational force of, and planetary orbits, 194–195, 202
particles flying out from, 24–25
superstring theory, 30, 187–188,
tendex lines, 41–44,
tesseract:
as a hypercube in a space with four dimensions, 253,
as a means of transport through the bulk, 34, 193, 196–197, 200–201
in the novel
tesseract, in
saves Cooper from singularity, 251, 252
entrance to, 252
transports Cooper to vicinity of Murph’s bedroom, 254–255
Cooper sees six views into bedroom, 256–257
Cooper sends signals backward in time to Murph, via the tesseract, 263–266, 270–271, 297–298
tesseract, Nolan’s complexified
images from
Christopher Nolan’s hand drawing of,
Kip’s explanation of, 256–261, 265–266, 270–271
sending messages backward in bedroom time, 263–266, 270–271, 297–298
Thorne, Kip,
tidal bores, 166,
tidal field,
tidal forces,
tidal gravity:
instruments to measure, 209–211,
Newton’s viewpoint, 42–43
and straightest paths through warped spacetime, 41, 44, 278
tendex viewpoint, 41–44
and ocean tides on Earth, 42–43
and gravitational waves, 151–153
on Jupiter’s moon Io, 168
on Miller’s planet, 58, 163–166, 284, 292
tears stars apart, 93–94, 148–149, 280
squeezes accretion disk, 98
and design of the
pries
and gravitational anomalies, 213–216
near singularities, 231–233, 251
tides:
on Earth’s oceans, 42–43
on Miller’s planet, 163, 166
time travel:
what we know about, without a bulk, 266–269
with a bulk, 269
in
Christopher Nolan’s rule set for, 263
messaging Murph backward in time, 263–266,
time warps,