I grab one of the handles of the central axis and move behind a bonsai tree, covering my nudity like Adam. A cloud of butterflies alights from the foliage. The exertion feels strange as well: the muscles of my new body are still waking up.
‘Young lady, I have a name.’ I offer her my hand across the bonsai tree. She takes it, dubiously, and squeezes. I return the grip as hard as I can. Her expression does not change. ‘Jean le Flambeur, at your service. Although you are absolutely right.’ I hold up her ankle chain. It squirms in my cupped hand as if alive, a jewelled serpent. ‘I am a thief.’
Her eyes widen. The scar on her cheek goes black. And suddenly, I’m in hell.
I am a bodiless viewpoint in blackness, unable to form a coherent thought. My mind is trapped in a vice. Something
Then I am back, gasping, stomach heaving, vomiting bile in floating gobbets, but infinitely grateful for every sensation.
‘You will not do that again,’ she says. ‘Your body and mind are on loan, do you understand? Steal what you are told to steal, and you may be allowed to keep them.’ The jewelled chain is back around her ankle. Her cheek muscles twitch.
My Prison-honed instincts tell me to shut up and stop throwing up, but the flower man in me has to speak, and I cannot stop him.
‘It’s too late,’ I gasp.
‘What?’ There is something beautiful about the wrinkle that appears on her smooth forehead, like a brushstroke.
‘I am reformed. You got me out too late. I’m an evolved altruist now, mademoiselle, a being filled with goodwill and neighbourly love. I could not possibly dream of taking part in any sort of criminal activity, even at the behest of my lovely rescuer.’
She stares at me blankly.
‘Very well.’
‘Very well?’
‘If you’re no good for me, I’ll just have to go back for another one.
We stare at each other for a moment. I feel stupid. Too long on the train of defection and cooperation. Time to jump off. I’m the first one to look away.
‘Wait,’ I say slowly. ‘Now that you mention it, perhaps I do retain some selfish impulses after all. I can feel them coming back as we speak.’
‘I thought they might,’ she says. ‘You are supposed to be irredeemable, after all.’
‘So, what’s going to happen now?’
‘You’ll find out,’ she says. ‘My name is Mieli. This is
‘Kuutar and Ilmatar?’ I ask, naming the Oortian deities.
‘Perhaps. Or the Dark Man, if you prefer.’ She smiles. The thought of the place she put me in before does make her look a little like the Oortian dark god of the void. ‘
When the thief is gone, Mieli lies down in the pilot’s crèche. She feels exhausted, even though the biot feed of her body – that has been waiting for her with
She remembers the long weeks of preparation, days of subjective slowtime in a q-suit, getting ready to commit a crime just so she could be caught by the Archons and enter the Prison: the eternity in her cell, mind wrapped in an old memory. The violent escape, hurled through the sky by the pellegrini, waking up in a new body, shaking and raw.
And now there is the quantum umbilical that connects her to the body the pellegrini made for him, a constant dull awareness of his thoughts. It feels like lying next to a stranger, feeling them moving, shifting in their sleep. Trust the Sobornost goddess to make her do something guaranteed to drive her crazy.
‘I’ve put the thief away,’ says
‘Feeling amorous?’ asks the ship, jokingly.
‘No,’ says Mieli. ‘I just missed you.’
‘I missed you too,’ says the ship. The butterfly takes flight from her hand, fluttering around her head. ‘It was terrible, waiting for you, all alone.’
‘I know,’ says Mieli. ‘I’m sorry.’ Suddenly, there is a throbbing sensation inside her skull. There is an edge in her mind, like something has been cut and pasted in place.