I move through the dying ship, looking for the nanomissile, no longer a clumsy monkey but gliding smoothly in the air under my own power, like a miniature spaceship.
With one thought, I reach out and make a local copy of
I put it into my mouth, bite down hard and swallow.
The Archon is happy.
For a moment, there was an imperfection, when it tasted the thief, a sense of dissonance, like there were two Thieves, in one.
But things are strange outside the Mother Prison: out here, the games are not pure. The old ugly physics is not perfect like the game of the Archons, perfect in its simplicity, yet capturing all of mathematics in its undecidability. That’s why its task is to turn this matter into another Prison, to increase the purity of the Universe. This is what their Father the Engineer-of-Souls thought them to love. This is the way the world is made right.
And this is good matter to turn into a Prison. Its mouth waters in anticipation of the taste of the patterns that the iterated Dilemmas will make. Its copyfather discovered a defector pattern that tastes like pecan ice cream: a replicating strategy family like a flyer in a Game of Life. Perhaps it, too, will find something new here, on this little gameboard of its own.
Far far far away, its copybrothers whisper to it through their quptlink, still complaining about the gut-wrenching
It looks down upon the grid of cells where the little thieves and butterflies and Oort women live when it finds them in the sweet matter. And soon the Game will begin again, any moment now.
It will taste like lemon sherbet, the Archon thinks.
‘Magic,’ I tell her. ‘You know how magic tricks work?’
I am back to my human self again. The memory of the extended senses and computational power is fading, but still feels like a phantom ache of a lost limb. And of course, I have an Archon running inside me now, locked inside my bones, in computational deep freeze.
We are sitting in one of the cramped storage modules, spinning on a tether for gravity, while the ship repairs itself. But there is a sparkling river of spaceships all around us, scattered over thousands of cubic kilometres but magnified by
‘It’s quite simple, really – it’s all about neuroscience. Misdirected attention.’
Mieli ignores me. She is setting up a small table between us. There are Oortian dishes on it: odd purple transparent cubes and squirming synthlife and neatly cut sections of multicolored fruits – expertly fabbed – and two small glasses. Her movements in setting it up are formal and composed, ritual-like. Ignoring me, she produces a bottle from a wall compartment.
‘What are you doing?’ I ask her.
She looks at me, expressionless. ‘We’re celebrating,’ she says.
‘Well, we should.’ I grin at her. ‘Anyway, it took me a long time to discover that: you can still induce inattentional blindness in Sobornost minds, would you believe? Nothing ever changes. So I swapped its sensory inputs, hooked it up to a sim based on
‘I see.’ She frowns at the bottle, apparently trying to figure out how to open it. The lack of interest she displays in my master plan irritates me.
‘See? It works like this. Look.’
I touch a spoon, grab it gently, make a motion like closing my hand around it, whereas in fact it’s already falling into my lap. Then I hold up both of my hands, opening them. ‘Gone.’ She blinks in astonishment. I close my left fist again. ‘Or, perhaps, transformed.’ I open it, and her ankle ringlet is there, squirming. I hold it out to her, an offering. Her eyes flash, but she reaches out, slowly, and takes it from my hand.
‘You will not touch that,’ she says. ‘Ever again.’
‘I promise,’ I tell her, meaning it. ‘Professionals from now on. Deal?’
‘Agreed,’ she says, with an edge to her voice.
I take a deep breath.
‘The ship told me what you did. You went to hell to get me out,’ I say. ‘What is it that you want so badly to do that?’