But nothing’s changed for her. Every day at two, four, and seven, Ruby plods through the sawdust with Snickers on her back.
Every night she has bad dreams.
“Bob,” I say, after I’ve soothed Ruby to sleep with a story, “my idea isn’t working.”
Bob opens one eye. “Be patient.”
“I’m tired of being patient,” I say.
This evening a man and woman come to interview Mack and also George and Julia.
The man has a large and heavy camera perched on his shoulder. He films me as I make my pictures. He films Ruby in her cage, with her foot roped to the bolt in the floor.
“Mind if I take a look around?” he asks.
Mack waves a hand. “Be my guest.”
While Mack and the woman talk, the cameraman walks through the mall. He pans his camera right and left, up and down.
When his eyes fall on the claw-stick, he stops. He trains his camera on the gleaming blade. Then he moves on.
Mack turns on the TV.
We are on
Bob says don’t let it go to my head.
There we all are. Mack, Ruby, me. George and Julia. The billboard, the mall, the ring.
And the claw-stick.
In the morning, several people gather in the parking lot. They’re carrying signs on sticks.
The signs have words and pictures on them. One has a drawing of a gorilla cradling a baby elephant.
I wish I could read.
More people with signs come today. They want Ruby to be free. Some of them even want Mack to shut down the mall.
In the evening, George and Mack talk about them. Mack says they’re protesting the wrong guy. He says they’re going to ruin everything. He says thanks for nothing, George.
Mack stomps off. George, holding his mop, watches him leave. He rubs his eyes. He looks worried.
“Dad,” Julia says, looking up from her homework. “You know what my favorite sign was?”
“Hmm?” George asks. “Which one?”
“The one that said ‘Elephants Are People Too.’”
George gives her a tired smile.
He goes back to work. His mop moves across the empty food court like a giant brush, painting a picture no one will ever see.
A tall man with a clipboard and pencil comes to visit. He says he is here to inspect the property.
He doesn’t say much more, but he makes many check marks on his paper.
He looks at my floor. Check. He examines Ruby’s hay. Check. He eyes our water bowls. Check.
Mack watches him, scowling.
Bob is outside, hiding near the Dumpster. He does not want to be a check mark.
Every day there are more protesters, and cameras with bright lights. Sometimes the people carrying signs shout, “Free Ruby! Free Ruby!”
“Ivan,” Ruby asks, “why are those people yelling my name? Are they mad at me?”
“They’re mad,” I say, “but not at you.”
A week later, the inspecting man comes back with a friend, a woman with smart, dark eyes like my mother’s. She has a white coat on, and she smells like lobelia blossoms. Her hair is thick and brown, the color of a rotten branch teeming with luscious ants.
She watches me for a long time. Then she watches Ruby.
She talks to the man. They both talk to Mack. The man gives Mack a sheet of paper.
Mack covers his face.
He goes to his office and slams the door.
Something strange is happening. The white-coated woman is back with other humans.
They place a large box in the center of the ring.
It’s Ruby sized.
And suddenly I know why the woman is here. She’s here to take Ruby away.
The woman leads Ruby to the box. She places an apple inside. “Good girl, Ruby,” she says kindly. “Don’t be afraid.”
Ruby inspects the box with her trunk. The woman makes a clicking sound with a little piece of metal she is holding in her hand. She gives Ruby a piece of carrot.
Each time Ruby touches the box, she gets a click and a treat.
“Why is she making that clicking noise?” I ask Bob.
“They do that to dogs all the time,” Bob says. I can tell he doesn’t approve. “It’s called clicker training. They want Ruby to associate the noise with the treat. When she does something they want, they make that noise.”
“Great job, Ruby,” the woman says. “You’re a quick study.”
After many clicks and carrots, she takes Ruby back to her cage.
“Why is that lady giving me carrots when I touch the box?” Ruby asks me.
“I think she wants you to go inside,” I explain.
“But there’s nothing inside,” Ruby says, “except an apple.”
“Inside that box,” I say, “is the way out.”
Ruby tilts her head. “I don’t get it.”
“See the picture of the red giraffe on the box? I think the lady is from the zoo, Ruby. I think she’s getting ready to take you there.”
I wait for Ruby to trumpet with joy, but instead she just stares at the box in silence.
“I’m not sure you understand. That box might be taking you to a place where there are other elephants,” I say. “A place with more room, and humans who care about you.”
But even as I say these words, I remember with a shudder the last box I was in.
“I don’t want a zoo,” Ruby says. “I want you and Bob and Julia. This is my home.”