Juliet put one soft, caressing hand behind Asmodeus’ head, drawing his face in close to hers. Their lips met.
Presumably, on a psychic level, some vast ethereal centrifuge began to turn, slowly at first but with gathering speed and irresistible momentum. Being a man, Rafi was drawn to Juliet. There was nothing he could do to stop it. I’d been there and I knew how it felt: the desire that was so like despair that you poured your heart and soul and lungs and liver and lights into its welcoming emptiness, wanting nothing but to penetrate, to be accepted, to be swallowed up.
Asmodeus, being a demon, would stand out of that vortex, immune to its pull. He would watch Rafi succumb, experiencing the immense satisfaction of a long and complicated chain of events drawing to its inevitable conclusion. He had turned his enemies into the moving parts of a machine which would deliver him from his bondage; there couldn’t be many pleasures more visceral than that.
I heard a whimper come from Rafi’s lips, and I knew who it belonged to. On a different level entirely, I heard the whispering echo of the demon’s laugh.
And then, louder than either, I heard the liquescent, insinuating crunch as Juliet drove her makeshift blade home into Asmodeus’ chest.
His eyes widened and he drew in a shuddering, unsteady breath. He winced, almost in slow motion. It was as though he fought against the recognition of that pain, with all that it implied.
He took a single step back, staring down at his chest. The irregular triangle of glass, like a flattened icicle, protruded from the left side of his body, high up, more or less where you’d expect his heart to be. Blood welled up around it and poured down, saturating his shirt in an instant and spilling out across the fabric with the suddenness of the paint-bucket effect in Photoshop.
If it had been a knife, Asmodeus would have torn it out of his own flesh and cut Juliet’s throat with it. But it wasn’t a knife.