The Mike Hammer Collection

This was the ace. It had its face down so I couldn’t tell whether it was red or black, but it was the ace. The bells were going off in my head again, those little tinkles that promised to become the pealing of chimes. The cart was before the horse, but if I could find the right buckle to unloosen I could put them right back.

“Billy, say nothing to nobody about this, understand? If the local police question you, say nothing. If Sergeant Price wants to know things, have him see me. If you value your head, keep your mouth shut and your door locked.”

His eyes popped wide open. “Geez, Mike, is it that important?”

I nodded. “I have a funny feeling, Billy, that the noises you heard were made by the murderer.”

“Good Golly!” It left him breathless. Then, “You . . . you think the killer . . .”—he swallowed—“. . . might make a try for me?”

“No, Billy, not the killer. You aren’t that important to him. Someone else might, though. I think we have a lot more on our hands than just plain murder.”

“What?” It was a hoarse whisper.

“Kidnapping, for one thing. That comes in somewhere. You sit tight until you hear from me.” Before I left I turned with my hand on the knob and looked into his scared face again. “Who’s Mallory, Billy?”

“Mallory who?”

“Just Mallory.”

“Gosh, I don’t know.”

“Okay, kid, thanks.”

Mallory. He might as well be Smith or Jones. So far he was just a word. I navigated the gloom again half consciously, thinking of him. Mallory of the kidnapping; Mallory whose very name turned York white and added a link to the chain of crime. Somewhere Mallory was sitting on his fanny getting a large charge out of the whole filthy mess. York knew who he was, but York was dead. Could that be the reason for his murder? Likely. York, by indirect implication and his peculiar action, intimated that Myra Grange knew of him too, but she was dead or missing. Was that Mallory’s doing? Likely. Hell, I couldn’t put my finger on anything more definite than a vague possibility. Something had to blow up, somebody would have to try to take the corners out of one of the angles. I gathered all the facts together, but they didn’t make sense. A name spoken, the speaker unseen; someone who came downstairs at night, unseen too, and denying it; a search for a stolen something-or-other, whose theft was laid at the feet of the vanished woman. I muttered a string of curses under my breath and kicked aimlessly at empty air. Where was there to start? Dilwick would have his feelers out for Grange and so would Price. With that many men they could get around much too fast for me. Besides, I had the feeling that she was only part of it all, not the key figure that would unlock the mystery, but more like one whose testimony would cut down a lot of time and work. I still couldn’t see her putting the cleaver into York then doing the Dutch afterward. If she was associated with him professionally she would have to be brilliant, and great minds either turn at murder or attempt to conceive of a flawless plot. York’s death was brutal. It was something you might find committed in a dark alley in a slum section for a few paltry dollars, or in a hotel room when a husband returns to find his woman in the arms of her lover. A passion kill, a revenge kill, a crude murder for small money, yes, but did any of these motives fit here? For whom did York hold passion . . . or vice versa? Roxy hit it when she said he was too old. Small money? None was gone from his wallet apparently. That kind of kill would take place outside on a lonely road or on a deserted street anyway. Revenge . . . revenge. Grange said he had no enemies. That was now. Could anything have happened in the past? You could almost rule that out too, on the basis of precedent. Revenge murders usually happen soon after the event that caused the desire for revenge. If the would-be murderer has time to think he realizes the penalty for murder and it doesn’t happen. Unless, of course, the victim, realizing what might happen, keeps on the move. That accentuates the importance of the event to the killer and spurs him on. Negative. York was a public figure for years. He had lived in the same house almost twenty years. Big money, a motive for anything. Was that it? Grange came into that. Why did she have the will? Those things are kept in a safe-deposit box or lawyer’s files. The chief beneficiary rarely ever got to see the document much less have it hidden among her personal effects for so long a time. Damn, Grange had told me she had a large income aside from what York gave her. She didn’t care what he did with his money. What a very pretty attitude to take, especially when you know where it’s going. She could afford to be snotty with me. I remembered her face when she said it, aloof, the hell-with-it attitude. Why the act if it wasn’t important then? What was she trying to put across?