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The .45 was in my fist. I flicked the safety off as I ran up the stairs. Miss Grange’s door was closed, but it wasn’t locked; it gave when I turned the knob.

No light flared out the door when I kicked it open. No sound broke the funeral quiet of the hall. I stepped in and eased the door shut behind me.

Very slowly I bent down and unlaced my shoes, then put them beside the wall. There was no sense sending in an invitation. With my hand I felt along the wall until I came to the end of the hall. A switch was to the right. Cautiously, I reached around and threw it up, ready for anything.

I needn’t have been so quiet. Nobody would have yelled. I found York, all right. He sat there grinning at me like a blooming idiot with the top of his head holding up a meat cleaver.

CHAPTER 4

Now it was murder. First it was kidnapping, then murder. There seems to be no end to crime. It starts off as a little thing, then gets bigger and bigger like an overinflated tire until it busts all to hell and gone.

I looked at him, the blood running red on his face, seeping out under the clots, dripping from the back of his head to the floor. It was only a guess, but I figured I had been about ten minutes too late.

The room was a mess, a topsy-turvy cell of ripped-up furniture and emptied drawers. The carpet was littered with trash and stuffing from the pillows. York still clutched a handful of papers, sitting there on the floor where he had fallen, staring blankly at the wall. If he had found what he was searching for it wasn’t here now. The papers in his hand were only old receipted electric bills made out to Myra Grange.

First I went back and got my shoes, then I picked up the phone. “Give me the state police,” I told the operator.

A Sergeant Price answered. I gave it to him briefly. “This is Mike Hammer, Sergeant,” I said. “There’s been a murder at the Glenwood Apartments and as far as I can tell it’s only a few minutes old. You’d better check the highways. Look for a Ford two-door sedan with a bent radio antenna. Belongs to a woman named Myra Grange. Guy that’s been bumped is Rudolph York. She works for him. Around thirty, I’d say, five-six or -seven, short hair, well built. Not a bad-looking tomato. No, I don’t know what she was wearing. Yeah . . . yeah, I’ll stay here. You want me to inform the city cops?”

The sergeant said some nasty things about the city boys and told me to go ahead.

I did. The news must have jarred the guy on the desk awake because he started yelling his fool head off all over the place. When he asked for more information I told him to come look for himself, grinned into the mouthpiece and hung up.

I had to figure this thing out. Maybe I could have let it go right then, but I didn’t think that way. My client was dead, true, but he had overpaid me in the first place. I could still render him a little service gratis.

I checked the other rooms, but they were as scrambled as the first one. Nothing was in place anywhere. I had to step over piles of clothes in the bedroom that had been carefully, though hurriedly, turned inside out.

The kitchen was the only room not torn apart. The reason for that was easy to see. Dishes and pans crashing against the floor would bring someone running. Here York had felt around, moved articles, but not swept them clear of the shelves. A dumbwaiter door was built into the wall. It was closed and locked. I left it that way. The killer couldn’t have left by that exit and still locked it behind him, not with a hook-and-eye clasp. I opened the drawers and peered inside. The fourth one turned up something I hadn’t expected to see. A meat cleaver.

That’s one piece of cutlery that is rarely duplicated in a small apartment. In fact, it’s more or less outdated. Now there were two of them.

The question was: Who did York surprise in this room? No, it wasn’t logical. Rather, who surprised York? It had to be that way. If York had burst in here on Grange there would have been a scene, but at least she would have been here too. It was hard picturing her stepping out to let York smash up the joint.

When York came in the place was empty. He came to kill, but finding his intended victim gone, forgot his primary purpose and began his search. Kill. Kill. That was it. I looked at the body again. What I looked for wasn’t there anymore.

Somebody had swiped the dead man’s gun.

Why? Damn these murderers anyway, why must they mess things up so? Why the hell can’t they just kill and be done with it? York sat there grinning for all he was worth, defying me to find the answer. I said, “Cut it out, pal. I’m on your side.”

Two cleavers and a grinning dead man. Two cleavers, one in the kitchen and one in his head. What kind of a killer would use a cleaver? It’s too big to put in a pocket, too heavy to swing properly unless you had a fairly decent wrist. It would have to be a man, no dame likes to kill when there’s a chance of getting spattered with blood.

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Она легко шагала по коридорам управления, на ходу читая последние новости и едва ли реагируя на приветствия. Длинные прямые черные волосы доходили до края коротких кожаных шортиков, до них же не доходили филигранно порванные чулки в пошлую черную сетку, как не касался последних короткий, едва прикрывающий грудь вульгарный латексный алый топ. Но подобный наряд ничуть не смущал самого капитана Сейли Эринс, как не мешала ее свободной походке и пятнадцати сантиметровая шпилька на дизайнерских босоножках. Впрочем, нет, как раз босоножки помешали и значительно, именно поэтому Сейли была вынуждена читать о «Самом громком аресте столетия!», «Неудержимой службе разведки!» и «Наглом плевке в лицо преступной общественности».  «Шеф уроет», - мрачно подумала она, входя в лифт, и не глядя, нажимая кнопку верхнего этажа.

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