CHAPTER 17. An Unquiet Day On Friday morning, that is, the day after the accursed seance, all theavailable staff of the Variety -- the bookkeeper Vassily StepanovichLastochkin, two accountants, three typists, both box-office girls, themessengers, ushers, cleaning women -- in short, all those available, werenot at their places doing their jobs, but were all sitting on thewindow-sills looking out on Sadovaya and watching what was going on by thewall of the Variety. By this wall a queue of many thousands clung in tworows, its tail reaching to Kudrinskaya Square. At the head of the line stoodsome two dozen scalpers well known to theatrical Moscow. The line behaved with much agitation, attracting the notice of thecitizens streaming past, and was occupied with the discussion ofinflammatory tales about yesterday's unprecedented seance of black magic.These same tales caused the greatest consternation in the bookkeeper VassilvStepanovich, who had not been present at the previous
evening's performance.The ushers told of God knows what, among other things that after theconclusion of the famous seance, some female citizens went running around inthe street looking quite indecent, and so on in the same vein. The modestand quiet Vassily Stepanovich merely blinked his eyes, listening to the talltales of these wonders, and decidedly did not know what to undertake, andyet something had to be undertaken, and precisely by him, because he nowturned out to be the senior member of the whole Variety team. By ten o'clock the line of people desiring tickets had swelled so muchthat rumour of it reached the police, and with astonishing swiftnessdetachments were sent, both on foot and mounted, to bring this line intosome sort of order. However, in itself even an orderly snake a half-milelong presented a great temptation, and caused utter amaze-ment in thecitizens on Sadovaya. That was outside, but inside the Variety things were also none toogreat. Early
in the morning the telephones began to ring and went on ringingwithout interruption in Likhodeev's office, in Rimsky's office, at thebookkeeper's, in the box office, and in Varenukha's office. Vassily Stepanovich at first made some answer, the box-office girl alsoanswered, the ushers mumbled something into the telephones, but then theystopped altogether, because to questions of where Likhodeev, Varenukha andRimsky were, there was decidedly no answer. At first they tried to get offby saying 'Likhodeev's at home', but the reply to this was that they hadcalled him at home, and at home they said Likhodeev was at the Variety. An agitated lady called, started asking for Rimsky, was advised to callhis wife, to which the receiver, sobbing, answered that she was his wife andthat Rimskv was nowhere to be found. Some sort of nonsense was beginning.The cleaning woman had already told everybody that when she came to thefindirector's office to clean, she saw the door wide open, the lights
on,the window to the garden broken, the armchair lying on the floor, and no onein the office. Shortly after ten o'clock, Madame Rimsky burst into the Variety. Shewas sobbing and wringing her hands. Vassily Stepanovich was utterly at aloss and did not know how to counsel her. Then at half past ten came thepolice. Their first and perfecdy reasonable question was: "What's going on here, dozens? What's this all about?' The team stepped back, bringing forward the pale and agitated VassilyStepanovich. He had to call things by their names and confess that theadministration of the Variety in the persons of the director, thefindirector and the administrator had vanished and no one knew where, thatthe master of ceremonies had been taken to a psychiatric hospital afteryesterday's seance, and that, to put it briefly, this seance yesterday hadfrankly been a scandalous seance. The sobbing Madame Rimsky, having been calmed down as much as possible,was sent home, and
the greatest interest was shown in the cleaning woman'sstory about the shape in which the findirector's office had been found. Thestaff were asked to go to their places and get busy, and in a short whilethe investigation appeared in the Variety building, accompanied by asharp-eared, muscular, ash-coloured dog with extremely intelligent eyes. Thewhisper spread at once among the Variety staff that the dog was none otherthan the famous Ace of Diamonds. And so it was. His behaviour amazed themall. The moment Ace of Diamonds ran into the findirector's office, hegrowled, baring his monstrous yellow fangs, then crouched on his belly and,with some sort of look of anguish and at the same dme of rage in his eyes,crawled towards the broken window. Overcoming his fear, he suddenly jumpedup on the window-sill and, throwing back his sharp muzzle, howled savagelyand angrily. He refused to leave the window, growled and twitched, and kepttrying to jump out. The dog was taken from the office
and turned loose in the lobby, whencehe walked out through the main entrance to the street and led thosefollowing him to the cab stand. There he lost the trail he had beenpursuing. After that Ace of Diamonds was taken away. The investigation settled in Varenukha's office, where they begansummoning in turn all the Variety staff members who had witnessedyesterday's events during the seance. It must be said that the investigationhad at every step to overcome unforeseen difficulties. The thread keptsnapping off in their hands. There had been posters, right? Right. But during the night they hadbeen pasted over with new ones, and now, strike me dead, there wasn't asingle one to be found! And the magician himself, where had he come from?Ah, who knows! But there was a contract drawn up with him? T suppose so,' the agitated Vassily Stepanovich replied. 'And if one was drawn up, it had to go through bookkeeping?' 'Most assuredly,' responded the agitated
Vassily Stepanovich. 'Then where is it?' 'Not here,' the bookkeeper replied, turning ever more pale andspreading his arms. And indeed no trace of the contract was found in the files of thebookkeeping office, nor at the findirector's, nor at Likhodeev's orVarenukha's. And what was this magician's name? Vassily Stepanovich did not know, hehad not been at the seance yesterday. The ushers did not know, thebox-office girl wrinkled her brow, wrinkled it, thought and thought, andfinally said: 'Wo . . . Woland, seems like ...' Or maybe not Woland? Maybe not Woland. Maybe Faland. It turned out that in the foreigners' bureau they had heard preciselynothing either about any Woland, or for that matter any Faland, themagician. The messenger Karpov said that this same magician was supposedlystaying in Ukhodeev's apartment. The apartment was, of course, visited atonce -- no magician was found there. Likhodeev himself was not there either.The
housekeeper Grunya was not there, and where she had gone nobody knew.The chairman of the management, Nikanor Ivanovich, was not there, Bedsornevwas not there! Something utterly preposterous was coming out: the whole topadministration had vanished, a strange, scandalous seance had taken placethe day before, but who had produced it and at whose prompting, no one knew. And meanwhile it was drawing towards noon, when the box office was toopen. But, of course, there could be no talk of that! A huge piece ofcardboard was straight away posted on the doors of the Variety reading:'Today's Show Cancelled'. The line became agitated, beginning at its head,but after some agitation, it nevertheless began to break up, and about anhour later no trace of it remained on Sadovava. The investigation departedto continue its work elsewhere, the staff was sent home, leaving only thewatchmen, and the doors of the Variety were locked. The bookkeeper Vassily Stepanovich had urgently
to perform two tasks.First, to go to the Commission on Spectacles and Entertainment of theLighter Type with a report on yesterday's events and, second, to visit theFinspectacle sector so as to turn over yesterday's receipts -- 21,711roubles. The precise and efficient Vassily Stepanovich wrapped the money innewspaper, criss-crossed it with string, put it in his briefcase, and,knowing his instructions very well, set out, of course, not for a bus or atram, but for the cab stand. The moment the drivers of the three cabs saw a passenger hurryingtowards the stand with a tighdy stuffed briefcase, all three left emptyright under his nose, looking back at him angrily for some reason. Struck by this circumstance, the bookkeeper stood like a post for along time, trying to grasp what it might mean. About three minutes later, an empty cab drove up, but the driver's facetwisted the moment he saw the passenger. 'Are you free?' Vassily Stepanovich asked with a cough
of surprise. 'Show your money,' the driver replied angrily, without looking at thepassenger. With increasing amazement, the bookkeeper, pressing the preciousbriefcase under his arm, pulled a ten-rouble bill from his wallet and showedit to the driver. 'I won't go!' the man said curtly. 'I beg your pardon ...' the bookkeeper tried to begin, but the driverinterrupted him. 'Got any threes?' The completely bewildered bookkeeper took two three-rouble bills fromhis wallet and showed them to the driver. 'Get in,' he shouted, and slapped down the flag of the meter so that healmost broke it. 'Let's go!' 'No change, is that it?' the bookkeeper asked timidly. 'A pocket full of change!' the driver bawled, and the eyes in themirror went bloodshot. 'It's my third case today. And the same thinghappened with the others, too. Some son of a bitch gives me a tenner, I givehim change -- four-fifty. He gets out, the scum! About five minutes later, Ilook: instead of a tenner,
it's a label from a seltzer bottle!' Here thedriver uttered several unprintable words. 'Another one, beyond Zubovskaya. Atenner. I give him three roubles change. He leaves. I go to my wallet,there's a bee there -- zap in the finger! Ah, you! . . .' and again thedriver pasted on some unprintable words. 'And no tenner. Yesterday, in theVariety here' (unprintable words), 'some vermin of a conjurer did a seancewith ten-rouble bills' (unprintable words) ... The bookkeeper went numb, shrank into himself, and pretended it was thefirst time he had heard even the word 'Variety', while thinking to himself:'Oh-oh! . . .' Having got where he had to go, having paid satisfactorily, thebookkeeper entered the building and went down the corridor towards themanager's office, and realized on his way that he had come at the wrongtime. Some sort of tumult reigned in the offices of the SpectaclesCommission. A messenger girl ran past the bookkeeper, her kerchief allpushed
back on her head and her eyes popping. 'Nothing, nothing, nothing, my dears!' she shouted, addressing no oneknew whom. The jacket and trousers are there, but inside the jacket there'snothing!' She disappeared through some door, and straight away from behind itcame the noise of smashing dishes. The manager of the commission's firstsector, whom the bookkeeper knew, ran out of the secretary's room, but hewas in such a state that he did not recognize the bookkeeper and disappearedwithout a trace. Shaken by all this, the bookkeeper reached the secretary's room, whichwas the anteroom to the office of the chairman of the commission, and herehe was definitively dumbfounded. From behind the closed door of the office came a terrible voice,undoubtedly belonging to Prokhor Petrovich, the chairman of the commission.'Must be scolding somebody!' the consternated bookkeeper thought and,looking around, saw something else: in a leather armchair, her head thrownback, sobbing unrestrainedly,
a wet handkerchief in her hand, legs stretchedout into the middle of the room, lay Prokhor Petrovich's personal secretary-- the beautiful Anna Richardovna. Anna Richardovna's chin was all smeared with lipstick, and down herpeachy cheeks black streams of sodden mascara flowed from her eyelashes. Seeing someone come in, Anna Richardovna jumped up, rushed to thebookkeeper, clutched the lapels of his jacket, began shaking him andshouting: 'Thank God! At least one brave man has been found! Everybody ran away,everybody betrayed us! Let's go, let's go to him, I don't know what to do!'And, still sobbing, she dragged the bookkeeper into the office. Once in the office, the bookkeeper first of all dropped his briefcase,and all the thoughts in his head turned upside-down. And, it must be said,not without reason. At a huge writing desk with. a massive inkstand an empty suit sat andwith a dry pen, not dipped in ink, traced on a piece of paper. The suit waswearing a necktie, a
fountain pen stuck from its pocket, but above thecollar there was neither neck nor head, just as there were no hands stickingout of the sleeves. The suit was immersed in work and completely ignored theturmoil that reigned around it. Hearing someone come in, the suit leanedback and from above the collar came the voice, quite familiar to thebookkeeper, of Prokhor Petrovich: 'What is this? Isn't it written on the door that I'm not receiving?' The beautiful secretary shrieked and, wringing her hands, cried out: 'YOU see? You see?! He's not there! He's not! Bring him back, bring himback!' Here someone peeked in the door of the office, gasped, and flew out.The bookkeeper felt his legs trembling and sat on the edge of a chair, butdid not forget to pick up his briefcase. Anna Richardovna hopped around thebookkeeper, worrying his jacket, and exclaiming: 'I always, always stopped him when he swore by the devil! So now thedevil's got him!' Here the beauty ran to the writing desk
and in a tender,musical voice, slightly nasal from weeping, called out: 'Prosha! Where are you!' 'Who here is "Prosha" to you?' the suit inquired haughtily, sinkingstill deeper into the armchair. 'He doesn't recognize me! Me he doesn't! Do you understand? ...' thesecretary burst into sobs. 'I ask you not to sob in the office!' the hot-tempered striped suit nowsaid angrily, and with its sleeve it drew to itself a fresh stack of papers,with the obvious aim of appending its decision to them. 'No, I can't look at it, I can't!' cried Anna Richardovna, and she ranout to the secretary's room, and behind her, like a shot, flew thebookkeeper. 'Imagine, I'm sitting here,' Anna Richardovna recounted, shaking withagitation, again clutching at the bookkeeper's sleeve, 'and a cat walks in.Black, big as a behemoth. Of course, I shout "scat" to it. Out it goes, andin comes a fat fellow instead, also with a sort of cat-like mug, and says:"What are you doing,
citizeness, shouting 'scat' at visitors?" And - whoosh- straight to Prokhor Petrovich. Of course, I run after him, shouting: "Areyou out of your mind?" And this brazen-face goes straight to ProkhorPetrovich and sits down opposite him in the armchair. Well, that one ...he's the kindest-hearted man, but edgy. He blew up, I don't deny it. An edgyman, works like an ox - he blew up. "Why do you barge in here unannounced?"he says. And that brazen-face, imagine, sprawls in the armchair and says,smiling: "I've come," he says, "to discuss a little business with you." ProkhorPetrovich blew up again: "I'm busy." And the other one, just think, answers:"You're not busy with anything . .." Eh? Well, here, of course, ProkhorPetrovich's patience ran out, and he shouted: "What is all this? Get him outof here, devil take me!" And that one, imagine, smiles and says: "Devil takeyou? That, in fact, can be done!" And -- bang!
Before I had time to scream,I look: the one with the cat's mug is gone, and th .. . there .. . sits .. .the suit . .. Waaa!...' Stretching her mouth, which had lost all shapeentirely, Anna Richardovna howled. After choking with sobs, she caught her breath, but then began pouringout something completely incoherent: 'And it writes, writes, writes! You could lose your mind! Talks on thetelephone! A suit! They all ran away like rabbits!' The bookkeeper only stood and shook. But here fate came to his aid.Into the secretary's room, with calm, business-like strides, marched thepolice, to the number of two men. Seeing them, the beauty sobbed stillharder, jabbing towards the door of the office with her hand. 'Let's not cry now, citizeness,' the first said calmly, and thebookkeeper, feeling himself quite superfluous there, ran out of thesecretary's room and a minute later was already in the fresh air. There wassome sort of draught in his head, a soughing as in a
chimney, and throughthis soughing he heard scraps of the stories the ushers told aboutyesterday's cat, who had taken part in the seance. 'Oh-ho-ho! Might that notbe our same little puss?' Having got nowhere with the commission, the conscientious VassilyStepanovich decided to visit its affiliate, located in Vagankovsky Lane, andto calm himself a little he walked the distance to die affiliate on foot. The affiliate for city spectacles was housed in a peeling old mansionset back from the street, and was famous for the porphyry columns in itsvestibule. But it was not the columns that struck visitors to the affiliatethat day, but what was going on at the foot of them. Several visitors stood in stupefaction and stared at a weeping girlsitting behind a small table on which lay special literature about variousspectacles, which the girl sold. At that moment, the girl was not offeringany of this literature to anyone, and only waved her hand at sympatheticinquiries, while at
the same time, from above, from below, from the sides,and from all sections of the affiliate poured the ringing of at least twentyoverwrought telephones. After weeping for a while, the girl suddenly gave a start and cried outhysterically: 'Here it comes again!' and unexpectedly began singing in a tremuloussoprano: 'Glorious sea, sacred Baikal. . .'[1] A messenger appeared on the stairs, shook his fist at someone, andbegan singing along with the girl in a dull, weak-voiced baritone: 'Glorious boat, a barrel of cisco .. .'[2] The messenger's voice was joined by distant voices, the choir began toswell, and finally the song resounded in all corners of the affiliate. Inthe neighbouring room no. 6, which housed the account comptroller's section,one powerful, slightly husky octave stood out particularly. 'Hey, Barguzin[3] ... make the waves rise and fall!...'bawled the messenger on the stairs. Tears flowed down the girl's face, she tried to clench her teeth, buther
mouth opened of itself, as she sang an octave higher than the messenger: 'This young lad's ready to frisk-o!' What struck the silent visitors to the affiliate was that thechoristers, scattered in various places, sang quite harmoniously, as if thewhole choir stood there with its eyes fixed on some invisible director. Passers-by in Vagankovsky Lane stopped by the fence of the yard,wondering at the gaiety that reigned in the affiliate. As soon as the first verse came to an end, the singing suddenly ceased,again as if to a director's baton. The messenger quiedy swore anddisappeared. Here the front door opened, and in it appeared a citizen in a summerjacket, from under which protruded the skirts of a white coat, and with hima policeman. 'Take measures, doctor, I implore you!' the girl cried hysterically. The secretary of the affiliate ran out to the stairs and, obviouslyburning with shame and embarrassment, began falteringly: 'You see, doctor, we
have a case of some sort of mass hypnosis, and soit's necessary that. . .' He did not finish the sentence, began to choke onhis words, and suddenly sang out in a tenor: 'Shilka and Nerchinsk . . .'[4] 'Fool!' the girl had time to shout, but, without explaining who she wasabusing, produced instead a forced roulade and herself began singing aboutShilka and Nerchinsk. 'Get hold of yourself! Stop singing!' the doctor addressed diesecretary. There was every indication that the secretary would himself have givenanything to stop singing, but stop singing he could not, and together withthe choir he brought to the hearing of passers-by in the lane the news that'in the wilderness he was not touched by voracious beast, nor brought downby bullet of shooters.' The moment the verse ended, the girl was the first to receive a dose ofvalerian from the doctor, who then ran after the secretary to give theothers theirs. 'Excuse me, dear citizeness,' Vassily Stepanovich addressed the
girl,'did a black cat pay you a visit?' 'What cat?' the girl cried in anger. 'An ass, it's an ass we've gotsitting in the affiliate!' And adding to that: 'Let him hear, I'll telleverything' -- she indeed told what had happened. It turned out that the manager of the city affiliate, 'who has made aperfect mess of lightened entertainment' (the girl's words), suffered from amania for organizing all sorts of little clubs. 'Blew smoke in the authorities' eyes!' screamed the girl. In the course of a year this manager had succeeded in organizing a dubof Lermontov studies,' of chess and checkers, of ping-pong, and of horsebackriding. For the summer, he was threatening to organize clubs of fresh-watercanoeing and alpinism. And so today, during lunch-break, this manager comesin ... '.. . with some son of a bitch on his arm,' the girl went on, 'hailingfrom nobody knows where, in wretched checkered trousers, a crackedpince-nez, and . . . with a completely impossible mug! . . .'
And straight away, the girl said, he recommended him to all thoseeating in the affiliate's dining room as a prominent specialist inorganizing choral-singing clubs. The faces of the future alpinists darkened, but the manager immediatelycalled on everyone to cheer up, while the specialist joked a little, laugheda little, and swore an oath that singing takes no time at all, but that,incidentally, there was a whole load of benefits to be derived from it. Well, of course, as the girl said, the first to pop up were Fanov andKosarchuk, well-known affiliate toadies, who announced that they would signup. Here the rest of the staff realized that there was no way around thesinging, and they, too, had to sign up for the club. They decided to singduring the lunch break, since the rest of the time was taken up by Lermontovand checkers. The manager, to set an example, declared that he was a tenor,and everything after that went as in a bad dream. The checkeredspecialist-choirmaster
bawled out: '