The Little Warrior

A girl in blue had risen from the nearest table, and was staring at her in astonishment, Jill recognized her instantly. Those big, pathetic eyes, like a lost child's, were unmistakable. It was the parrot girl, the girl whom she and Freddie Rooke had found in the drawing-room, at Ovington Square that afternoon when the foundations of the world had given way and chaos had begun.

"Good gracious!" cried Jill. "I thought you were in London!"

That feeling of emptiness and panic, the result of her interview with the Guatemalan general at the apartment house, vanished magically. She sat down at this unexpected friend's table with a light heart.

"Whatever are you doing in New York?" asked the girl. "I never knew you meant to come over."

"It was a little sudden. Still, here I am. And I'm starving. What are those things you're eating?"

"Buckwheat cakes."

"Oh, yes. I remember Uncle Chris talking about them on the boat. I'll have some."

"But when did you come over?"

"I landed about ten days ago. I've been down at a place called Brookport on Long Island. How funny running into you like this!"

"I was surprised that you remembered me."

"I've forgotten your name," admitted Jill frankly. "But that's nothing. I always forget names."

"My name's Nelly Bryant."

"Of course. And you're on the stage, aren't you?"

"Yes. I've just got work with Goble and Cohn. … Hullo, Phil!"

A young man with a lithe figure and smooth black hair brushed straight back from his forehead had paused at the table on his way to the cashier's desk.

"Hello, Nelly."

"I didn't know you lunched here."

"Don't often. Been rehearsing with Joe up at the Century Roof, and had a quarter of an hour to get a bite. Can I sit down?"

"Sure. This is my friend, Miss Mariner."

The young man shook hands with Jill, flashing an approving glance at her out of his dark, restless eyes.

"Pleased to meet you."

"This is Phil Brown," said Nelly. "He plays the straight for Joe Widgeon. They're the best jazz-and-hokum team on the Keith Circuit."

"Oh, hush!" said Mr Brown modestly. "You always were a great little booster, Nelly."

"Well, you know you are! Weren't you held over at the Palace last time! Well, then!"

"That's true," admitted the young man. "Maybe we didn't gool 'em, eh? Stop me on the street and ask me! Only eighteen bows second house Saturday!"

Jill was listening, fascinated.

"I can't understand a word," she said. "It's like another language."

"You're from the other side, aren't you?" asked Mr Brown.

"She only landed a week ago," said Nelly.

"I thought so from the accent," said Mr Brown. "So our talk sort of goes over the top, does it? Well, you'll learn American soon, if you stick around."

"I've learned some already," said Jill. The relief of meeting Nelly had made her feel very happy. She liked this smooth-haired young man. "A man on the train this morning said to me, 'Would you care for the morning paper, sister?' I said, 'No, thanks, brother, I want to look out of the window and think!'"

"You meet a lot of fresh guys on trains," commented Mr Brown austerely. "You want to give 'em the cold-storage eye." He turned to Nelly. "Did you go down to Ike, as I told you?"

"Yes."

"Did you cop?"

"Yes. I never felt so happy in my life. I'd waited over an hour on that landing of theirs, and then Johnny Miller came along, and I yelled in his ear that I was after work, and he told me it would be all right. He's awfully good to girls who've worked in shows for him before. If it hadn't been for him I might have been waiting there still."

"Who," enquired Jill, anxious to be abreast of the conversation, "is Ike?"

"Mr Goble. Where I've just got work. Goble and Cohn, you know."

"I never heard of them!"

The young man extended his hand.

"Put it there!" he said. "They never heard of me! At least, the fellow I saw when I went down to the office hadn't! Can you beat it?"

"Oh, did you go down there, too?" asked Nelly.

"Sure. Joe wanted to get in another show on Broadway. He'd sort of got tired of vodevil. Say, I don't want to scare you, Nelly, but, if you ask me, that show they're putting out down there is a citron! I don't think Ike's got a cent of his own money in it. My belief is that he's running it for a lot of amateurs. Why, say, listen! Joe and I blow in there to see if there's anything for us, and there's a tall guy in tortoiseshell cheaters sitting in Ike's office. Said he was the author and was engaging the principals. We told him who we were, and it didn't make any hit with him at all. He said he had never heard of us. And, when we explained, he said no, there wasn't going to be any of our sort of work in the show. Said he was making an effort to give the public something rather better than the usual sort of thing. No specialties required. He said it was an effort to restore the Gilbert and Sullivan tradition. Say, who are these Gilbert and Sullivan guys, anyway? They get written up in the papers all the time, and I never met any one who'd run across them. If you want my opinion, that show down there is a comic opera!"