Читаем The Little Warrior полностью

Jill moved uncomfortably in her chair. Her quick temper resented his tone. There was a hostility, a hardly veiled contempt in his voice which stung her. Derek was sacred. Whoever criticized him, presumed. Wally, a few minutes before a friend and an agreeable companion, seemed to her to have changed. He was once more the boy whom she had disliked in the old days. There was a gleam in her eyes which should have warned him, but he went on.

"I should imagine that this Derek of yours is not one of our leading sunbeams. Well, I suppose he could hardly be, if that's his mother and there is anything in heredity."

"Please don't criticize Derek," said Jill coldly.

"I was only saying …"

"Never mind. I don't like it."

A slow flush crept over Wally's face. He made no reply, and there fell between them a silence that was like a shadow. Jill sipped her coffee miserably. She was regretting that little spurt of temper. She wished she could have recalled the words. Not that it was the actual words that had torn asunder this gossamer thing, the friendship which they had begun to weave like some fragile web: it was her manner, the manner of the princess rebuking an underling. She knew that, if she had struck him, she could not have offended Wally more deeply. There are some men whose ebullient natures enable them to rise unscathed from the worst snub. Wally, her intuition told her, was not that kind of man.

There was only one way of mending the matter. In these clashes of human temperaments, these sudden storms that spring up out of a clear sky, it is possible sometimes to repair the damage, if the psychological moment is resolutely seized, by talking rapidly and with detachment on neutral topics. Words have made the rift, and words alone can bridge it. But neither Jill nor her companion could find words, and the silence lengthened grimly. When Wally spoke, it was in the level tones of a polite stranger.

"Your friends have gone."

His voice was the voice in which, when she went on railway journeys, fellow-travellers in the carriage enquired of Jill if she would prefer the window up or down. It had the effect of killing her regrets and feeding her resentment. She was a girl who never refused a challenge, and she set herself to be as frigidly polite and aloof as he.

"Really?" she said. "When did they leave?"

"A moment ago." The lights gave the warning flicker that announces the arrival of the hour of closing. In the momentary darkness they both rose. Wally scrawled his name across the check which the waiter had insinuated upon his attention. "I suppose we had better be moving?"

They crossed the room in silence. Everybody was moving in the same direction. The broad stairway leading to the lobby was crowded with chattering supper-parties. The lights had gone up again.

At the cloak-room Wally stopped.

"I see Underhill waiting up there," he said casually, "To take you home, I suppose. Shall we say good-night? I'm staying in the hotel."

Jill glanced towards the head of the stairs. Derek was there. He was alone. Lady Underhill presumably had gone up to her room in the elevator.

Wally was holding out his hand. His face was stolid, and his eyes avoided hers.

"Good-bye," he said.

"Good-bye," said Jill.

She felt curiously embarrassed. At this last moment hostility had weakened, and she was conscious of a desire to make amends. She and this man had been through much together that night, much that was perilous and much that was pleasant. A sudden feeling of remorse came over her.

"You'll come and see us, won't you?" she said a little wistfully. "I'm sure my uncle would like to meet you again."

"It's very good of you," said Wally, "but I'm afraid I shall be going back to America at any moment now."

Pique, that ally of the devil, regained its slipping grip upon Jill.

"Oh? I'm sorry," she said indifferently. "Well, goodbye, then."

"Good-bye."

"I hope you have a pleasant voyage."

"Thanks."

He turned into the cloak-room, and Jill went up the stairs to join Derek. She felt angry and depressed, full of a sense of the futility of things. People flashed into one's life and out again. Where was the sense of it?

<p><strong>3.</strong></p>
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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука