Читаем The Little Warrior полностью

"That's the trouble with you. You always do mean well. You go about the world meaning well till people fly to put themselves under police protection. Besides, what on earth could Lady Underhill find to object to in me? I've plenty of money, and I'm one of the most charming and attractive of Society belles. You needn't take my word for that, and I don't suppose you've noticed it, but that's what Mr Gossip in the Morning Mirror called me when he was writing about my getting engaged to Derek. My maid showed me the clipping. There was quite a long paragraph, with a picture of me that looked like a Zulu chieftainess taken in a coal-cellar during a bad fog. Well, after that, what could anyone say against me? I'm a perfect prize! I expect Lady Underhill screamed with joy when she heard the news and went singing all over her Riviera villa."

"Yes," said Freddie dubiously. "Yes, yes, oh, quite so, rather!"

Jill looked at him sternly.

"Freddie, you're concealing something from me! You don't think I'm a charming and attractive Society belle! Tell me why not and I'll show you where you are wrong. Is it my face you object to, or my manners, or my figure? There was a young bride of Antigua, who said to her mate, 'What a pig you are!' Said he, 'Oh, my queen, is it manners you mean, or do you allude to my fig-u-ar?' Isn't my figuar all right, Freddie?"

"Oh, I think you're topping."

"But for some reason you're afraid that Derek's mother won't think so. Why won't Lady Underhill agree with Mr Gossip?"

Freddie hesitated.

"Speak up!"

"Well, it's like this. Remember I've known the old devil …"

"Freddie Rooke! Where do you pick up such expressions? Not from me!"

"Well, that's how I always think of her! I say I've known her ever since I used to go and stop at their place when I was at school, and I know exactly the sort of things that put her back up. She's a what-d'you-call-it."

"I see no harm in that. Why shouldn't the dear old lady be a what-d'you-call-it? She must do something in her spare time."

"I mean to say, one of the old school, don't you know. And you're so dashed impulsive, old girl. You know you are! You are always saying things that come into your head."

"You can't say a thing unless it comes into your head."

"You know what I mean," Freddie went on earnestly, not to be diverted from his theme. "You say rummy things and you do rummy things. What I mean to say is, you're impulsive."

"What have I ever done that the sternest critic could call rummy?"

"Well, I've seen you with my own eyes stop in the middle of Bond Street and help a lot of fellows shove along a cart that had got stuck. Mind you, I'm not blaming you for it …"

"I should hope not. The poor old horse was trying all he knew to get going, and he couldn't quite make it. Naturally, I helped."

"Oh, I know. Very decent and all that, but I doubt if Lady Underhill would have thought a lot of it. And you're so dashed chummy with the lower orders."

"Don't be a snob, Freddie."

"I'm not a snob," protested Freddie, wounded. "When I'm alone with Parker—for instance—I'm as chatty as dammit. But I don't ask waiters in public restaurants how their lumbago is."

"Have you ever had lumbago?"

"No."

"Well, it's a very painful thing, and waiters get it just as badly as dukes. Worse, I should think, because they're always bending and stooping and carrying things. Naturally one feels sorry for them."

"But how do you ever find out that a waiter has got lumbago?"

"I ask him; of course."

"Well, for goodness sake," said Freddie, "if you feel the impulse to do that sort of thing tonight, try and restrain it. I mean to say, if you're curious to know anything about Parker's chilblains, for instance, don't enquire after them while he's handing Lady Underhill the potatoes! She wouldn't like it."

Jill uttered an exclamation.

"I knew there was something! Being so cold and wanting to rush in and crouch over a fire put it clean out of my head. He must be thinking me a perfect beast!" She ran to the door. "Parker! Parker!"

Parker appeared from nowhere.

"Yes, miss?"

"I'm so sorry I forgot to ask before. How are your chilblains?"

"A good deal better, miss, thank you."

"Did you try the stuff I recommended?"

"Yes, miss. It did them a world of good."

"Splendid!"

Jill went back into the sitting-room.

"It's all right," she said reassuringly. "They're better."

She wandered restlessly about the room, looking at the photographs.

"What a lot of girls you seem to know, Freddie. Are these all the ones you've loved and lost?" She sat down at the piano and touched the keys. The clock on the mantelpiece chimed the half hour. "I wish to goodness they would arrive," she said.

"They'll be here pretty soon, I expect."

"It's rather awful," said Jill, "to think of Lady Underhill racing all the way from Mentone to Paris and from Paris to Calais and from Calais to Dover and from Dover to London simply to inspect me. You can't wonder I'm nervous, Freddie."

The eye-glass dropped from Freddie's eye.

"Are you nervous?" he asked, astonished.

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука