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“To see something. Come with me.”

They walked back to where the three other men stood. To the right of the dark chasm in the floor she studied a black stone slab that had been neatly cracked into three manageable pieces, laid close together, as originally joined.

She read what was engraved on the face.

IN A VAULT

BENEATH THIS MARBLE SLAB

ARE DEPOSITED THE REMAINS

OF

JANE SEYMOUR QUEEN OF KING HENRY VIII

1537

KING HENRY VIII

1547

KING CHARLES I

1648

AND

AN INFANT CHILD OF QUEEN ANNE

THIS MEMORIAL WAS PLACED HERE

BY COMMAND OF

KING WILLIAM IV, 1837

One of the other men explained how Henry VIII had wanted a grand monument here, in St. George’s, to overshadow his father’s in Westminster. A metal effigy and massive candlesticks were cast, but Henry died before the edifice was completed. An era of Radical Protestantism came after him, a time when church monuments were not erected but hauled down. Then his daughter Mary ushered in a brief return to Rome and remembering Henry VIII, the king of the Protestants, became dangerous. Eventually, Cromwell melted the effigy and sold the candelabra. Henry was finally buried beneath the floor, with only the black marble slab marking the spot.

She stared into the hole under the chapel. A power cable snaked a path across the floor, disappearing downward, ambient light illuminating the space beyond.

“Only once before has this crypt been opened,” another of the men said.

Her director introduced him as the keeper of the grounds.

“April 1, 1813. At the time, no one knew where the beheaded Charles I had been buried. But since many believed his remains might be with those of Henry VIII and his third wife, Jane Seymour, this vault was breached.”

Now, apparently, it had been opened again.

“Gentlemen,” her director said. “Will you excuse Inspector Richards and myself? We need a few moments.”

The other men nodded and retreated toward the main doors, twenty meters away.

She liked to hear her title. Inspector. She’d worked hard to earn it and hated that it might now be lost.

“Kathleen,” her director said, his voice low. “I implore you, for once, to keep your mouth shut and listen to me.”

She nodded.

“Six months ago the archives at Hatfield House were pilfered. Several precious volumes stolen. A month later, a similar incident occurred at the national archives in York. Over the ensuing weeks there were a series of thefts of historical documents from around the nation. A month ago a man was caught photographing pages within the British Library, but he evaded capture and fled the premises. Now this.”

Her fear dissipated as her curiosity arose.

“With what has happened here,” her director said, “the matter has escalated. To come into this sacred building. A royal palace.” He paused. “These thieves have a clear purpose.”

She crouched down to the opening.

“Go ahead,” he said. “Have a peek.”

It seemed irreverent to disturb the last tangible bits of someone who’d existed so long ago. Though her bosses at SOCA might think her brash and uncaring, certain things did matter to her. Like respect for the dead. But this was a crime scene, so she lay flat on the checkerboard marble and poked her head below.

The crypt was supported by a brick arch, maybe two and a half meters wide, three meters long, and a meter and a half deep. She counted four coffins. One pale and leaden bearing the inscription of King Charles, 1648, a square opening surgically cut in the upper part of the lid. Two smaller coffins were entirely intact. The fourth was the largest, pushing over two meters. An outer shell of wood, five centimeters thick, had decayed to fragments. The inner leaden coffin had also deteriorated and appeared to have been beaten by violence around its middle.

She knew whose bones were visible.

Henry VIII.

“The unopened coffins are for Jane Seymour,” the director said, “the queen buried with her king, and an infant of Queen Anne’s who died much later.”

She recalled that Seymour had been wife number three, the only one of the six who provided Henry with a legitimate son, Edward, who eventually became king, ruling six years, dying just before his sixteenth birthday.

“It appears Henry’s remains were rummaged through,” he said. “The opening in Charles’ coffin was made two hundred years ago. He, and the other two, seem to have been of no interest.”

In life, she knew, Henry VIII had been a tall man, over six feet, but toward the end of his life his body had swelled with fat. Here lay the mortal remains of a king who fought with France, Spain, and the Holy Roman Emperor, transforming England from an island at the edge of Europe into an empire-in-the-making. He defied popes and possessed the courage to found his own religion, which continued to thrive five hundred years later.

Talk about audacity.

She stood.

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The King's Deception
The King's Deception

Cotton Malone is back! Steve Berry's new international adventure blends gripping contemporary political intrigue, Tudor treachery, and high-octane thrills into one riveting novel of suspense.Cotton Malone and his fifteen-year-old son, Gary, are headed to Europe. As a favor to his former boss at the Justice Department, Malone agrees to escort a teenage fugitive back to England. But after he is greeted at gunpoint in London, both the fugitive and Gary disappear, and Malone learns that he's stumbled into a high-stakes diplomatic showdown — an international incident fueled by geopolitical gamesmanship and shocking Tudor secrets.At its heart is the Libyan terrorist convicted of bombing Pan Am Flight 103, who is set to be released by Scottish authorities for "humanitarian reasons." An outraged American government objects, but nothing can persuade the British to intervene.Except, perhaps, Operation King's Deception.Run by the CIA, the operation aims to solve a centuries-old mystery, one that could rock Great Britain to its royal foundations.Blake Antrim, the CIA operative in charge of King's Deception, is hunting for the spark that could rekindle a most dangerous fire, the one thing that every Irish national has sought for generations: a legal reason why the English must leave Northern Ireland. The answer is a long-buried secret that calls into question the legitimacy of the entire forty-five-year reign of Elizabeth I, the last Tudor monarch, who completed the conquest of Ireland and seized much of its land. But Antrim also has a more personal agenda, a twisted game of revenge in which Gary is a pawn. With assassins, traitors, spies, and dangerous disciples of a secret society closing in, Malone is caught in a lethal bind. To save Gary he must play one treacherous player against another — and only by uncovering the incredible truth can he hope to prevent the shattering consequences of the King's Deception.

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