Most of the statues of Easter Island do not, in fact, face the sea; they face away from the sea, toward what used to be the exalted houses of the island. Nor are the statues eyeless – on the contrary, they originally had startling, brilliant eyes made of white coral, with irises of red volcanic tuff or obsidian; this was only discovered in 1978. But my children’s encyclopedia adhered to the myth of the blind, eyeless giants staring hopelessly out to sea – a myth which seems to have had its origin, through many tellings and retellings, in some of the early explorers’ accounts, and in the paintings of William Hodges, who travelled to Easter Island with Captain Cook in the 1770s.
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Humboldt first described the enormous dragon tree, very briefly, in a postscript to a letter written in June 1799 from Teneriffe:
In the district of Orotava there is a dragon-tree measuring forty-five feet in circumference…Four centuries ago the girth was as great as it is now.
In his
It has never been found in a wild state on the continent of Africa. The East Indies is its real country. How has this tree been transplanted to Teneriffe, where it is by no means common?
Later still, in his ‘Physiognomy of Plants’ (collected, with other essays, in
This colossal dragon-tree,
He suggests an age of about six thousand years for the tree, which would make it ‘coeval with the builders of the Pyramids…and place its birth…in an epoch when the Southern Cross was still visible in Northern Germany.’ But despite its vast age, the tree still bore, he remarks, ‘the blossom and fruit of perpetual youth.’
Humboldt’s
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Remarkable specializations and evolutions may occur not only on islands, but in every sort of special and cut-off environment. Thus a unique stingless jellyfish was recently discovered in an enclosed saltwater lake in the interior of Eil Malk, one of the islands of Palau, as Nancy Barbour describes: