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Eilonwy stamped her foot with impatience. "Will you make haste, all of you! We came to look after Lord Gwydion, and we can hardly look after ourselves."

The former giant consented to ride behind the Princess on Lluagor, and they set out once more. Llyan, however, had suddenly taken it into her head to be playful. She lunged forward on her huge padded paws and spun joyfully about while the desperate bard clung to her tawny neck. It was all Fflewddur could do to keep Llyan from rolling onto her back with himself astride her.

"She― seldom does this," shouted the breathless bard, while Llyan, with great leaps, circled the companions. "She's really been― quite well― behaved! No use― scolding her. Makes no― difference!"

At last Fflewddur was forced, with difficulty, to unsling his harp and pluck out a melody until Llyan grew calm again.

Soon after midday the bard heard the faint, distant notes of Taran's horn. "They're worried over us," Fflewddur said. "I hope we shall soon rejoin them."

The companions pressed on as quickly as they could, but the distance between the two bands increased rather than dwindled, and at nightfall they wearily halted and slept.

A fresh morning start brought them, according to Fflewddur's reckoning, less than half a day behind the others. King Rhun, more than ever eager to reach Caer Cadarn, urged all speed from the dapple gray; but the mare's pace was much slower than Llyan's and Lluagor's; Eilonwy and Fflewddur Continually had to rein in their mounts.

Midway through the afternoon, King Rhun gave a glad cry. Caer Cadarn lay only a little distance off. They saw Smoit's crimson banner clearly beyond the trees. The companions were about to hasten onward, but Eilonwy frowned and looked once more at the fluttering standard.

"How odd," the Princess remarked. "I see King Smoit's jolly old bear. But Gwydion surely must be there by now, and I don't see the banner of the House of Don. Queen Teleria taught me it is courtesy for a cantrev noble to fly the Golden Sunburst of Don when one of the Royal House visits him."

"True enough in ordinary circumstances," agreed Fflewddur. "But I doubt, at this point, that Gwydion wants anyone to know where he is. He's told Smoit to put aside the formalities. A most sensible precaution."

"Yes, of course." Eilonwy replied. "I shouldn't have thought of that. How clever of you, Fflewddur."

The bard beamed happily. "Experience, Princess. Long experience. But never fear. Such wisdom will come to you, in time."

"Even so," Eilonwy said, as they rode farther. "It's curious the gates are closed. Knowing King Smoit, you might suppose they'd be flung wide open and a guard of honor waiting for us, with King Smoit himself ar their head."

Fflewddur waved the girl's remark aside. "Not a bit of it. Lord Gwydiom follows a path of danger, not a round of festivals. I understand how such things are done. I've been on a thousand secret missions― ah, well, perhaps one or two," he added hastily. "I fully expected Caer Cadarn would be buckled, bolted, and shut tight as an oyster."

"Yes," Eilonwy said, "I'm sure you know more about such things than I" She hesitated, straining her eyes to take in the castle, which the companions were now rapidly approaching. "But King Smoit isn't at war with his neighbors, as far as I've heard. Two watchmen on the walls would be more than enough. Does he need a whole party of bowmen?"

"Naturally," replied Fflewddur, "to protect Lord Gwydion."

"But if no one is to know Gwydion's there―" Eilonwy persisted.

"Great Belin!" cried the bard, reining up Llyan. "Now you make my head spin. Are you trying to say Gwydion's not at Caer Cadarn? If he's not, we shall soon find out. And if he is, we shall find that out as well." Fflewddur scratched his spiky yellow head. "But if he's not, then, why not? What could have happened? And if he is, then there's nothing to worry about. Yet, if he isn't…Oh, drat and blast, you've turned me queasy. I don't understand…."

"I don't understand, either," Eilonwy answered. "All I know― and I don't even know it― is that, well, I can't explain. I― I see the castle all crooked-wise― no, not see. Taste? No…Well, no matter," she burst out, "I've come all over chills and creeps and I don't like it. You've had experience, I don't doubt. But my ancestors were enchantresses, every one. And so should I have been, if I hadn't chosen to be a young lady."

"Enchantments!" the bard muttered uncomfortably. "Stay away from them. Don't meddle. It's also been my experience they never turn out well."

"I say," put in Rhun, "if the Princess feels there's something amiss, I'll be glad to ride ahead and find out. I shall frankly rap on the gates and demand to know."

"Nonsense," replied Fflewddur. "I'm quite sure all is well." A harp string broke and twanged loudly. The bard cleared his throat. "No, I'm not sure at all. Oh, bother it! The girl has put an idea in my head and I can't shake it out. One way, everything looks all right; the other way, it looks all wrong.

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Taran Wanderer
Taran Wanderer

The Newbery-winning fantasy series now available in gorgeous new paperback editions! Since The Book of Three was first published in 1964, young readers have been enthralled by the adventures of Taran the Assistant Pig-Keeper and his quest to become a hero. Taran is joined by an engaging cast of characters that includes Eilonwy, the strong-willed and sharp-tongued princess; Fflewddur Fflam, the hyperbole-prone bard; the ever-faithful Gurgi; and the curmudgeonly Doli―all of whom have become involved in an epic struggle between good and evil that shapes the fate of the legendary land of Prydain. Released over a period of five years, Lloyd Alexander's beautifully written tales not only captured children's imaginations but also garnered the highest critical praise. The Black Cauldron was a Newbery Honor Book, and the final volume in the chronicles, The High King, crowned the series by winning the Newbery Medal for "the most distinguished contribution to American literature for children." Henry Holt is proud to present this classic series in a new, redesigned paperback format. The jackets feature stunning art by acclaimed fantasy artist David Wyatt, giving the books a fresh look for today's generation of young fantasy lovers. The companion book of short stories, The Foundling is also available in paperback at this time. In their more than thirty years in print, the Chronicles of Prydain have become the standard of excellence in fantasy literature for children.

Ллойд Александер

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