He went from England to Italy, seeking the sun, but the storms of the sea racked his body, and the dust of the South did him no good. Time and again he spit up cupfuls of blood. He asked that letters from Fanny Brawne be kept from him; he could not bear to read them. He ceased to write to her or his friends; he had only to die. He tried to swallow poison, but Severn took it away from him. “The idea of death,” said Severn, “seems his only comfort. He talks of it with delight. The thought of recovery is beyond everything dreadful to him.” In the final days “his mind grew to great quietness and peace.” He dictated his epitaph: “Here lies one whose name is writ in water.” Repeatedly he asked the doctor: “When will this posthumous life of mine come to an end?” As the last struggle came he said: “Severn—lift me up, for I am dying. I shall die easy. Don’t be frightened. Thank God it has come.” It was February 23, 1821, and he was twenty-five years old. “If I had had time”!
9. PERCY BYSSHE SHELLEY When Shelley heard that Keats had died, by tubercle bacilli and the
For Shelley, as Sir Henry Maine would have put it, had based his life and thought on the “State of Nature,” on Rousseau’s dream of a Golden Age in which all men had been, or would be, equal, and he was almost physiologically hostile to that “Historical Method” which balances ideals with realities, and aspirations with history. He could not read history; it seemed to him an abominable record of miseries and crimes; in every age that he studied he sought out not the actual conduct and vicissitudes of men, but their poetry and their religion, their ideal feelings and desires; he knew Aeschylus better than he knew Thucydides; and he forgot that in Aeschylus Prometheus was bound. What could be more certain than his suffering?
He was as sensitive as his “Sensitive Plant,” subject like it to quick decay while rougher fibers flourished and survived. He described himself through Julian as “Me, who am as a nerve o’er which do creep the else unfelt oppressions of this earth.” No one would have thought, seeing this delicate lad, never quite adult, that he had set all England fuming with his heresies. Trelawney, meeting him for the first time, wrote:“Was it possible this mild-looking, beardless boy could be the veritable monster at war with all the world?” McCready, the painter, said that he could not portray Shelley’s face, because it was “too beautiful,” and too elusively so; the man’s soul was elsewhere.
No one was ever more completely or exclusively a poet. He is to poets what Spenser was before Shelley came—the very embodiment of all that poetry means. “Poetry,” he wrote, in his famous “Defense,”—“poetry, and the principle of Self, of which money is the visible incarnation, are the God and the Mammon of the world…. But it exceeds all imagination to conceive what would have been the moral condition of the world if neither Dante, Petrarch, Boccaccio, Chaucer, Shakespeare, Calderon, Lord Bacon nor Milton had ever existed; if Raphael and Michelangelo had never been born; if the Hebrew poetry had never been translated; if a revival of the study of Greek literature had never taken place; if no monuments of ancient sculpture had been handed down to us; and if the poetry of the religion of the ancient world had been extinguished together with its beliefs.”
On July 8, 1822, Shelley and his friend Williams left the Casa Magni in which they were staying on the island of Lerici, and sailed in Shelley’s boat, the