The Great Gatsby

I glanced at Daisy, who was staring terrified between Gatsby and her husband, and at Jordan, who had begun to balance an invisible but absorbing object on the tip of her chin. Then I turned back to Gatsby—and was startled at his expression. He looked—and this is said in all contempt for the babbled slander of his garden—as if he had “killed a man.” For a moment the set of his face could be described in just that fantastic way.

It passed, and he began to talk excitedly to Daisy, denying everything, defending his name against accusations that had not been made. But with every word she was drawing further and further into herself, so he gave that up, and only the dead dream fought on as the afternoon slipped away, trying to touch what was no longer tangible, struggling unhappily, undespairingly, toward that lost voice across the room.

The voice begged again to go.

“Please, Tom! I can’t stand this any more.”

Her frightened eyes told that whatever intentions, whatever courage she had had, were definitely gone.

“You two start on home. Daisy,” said Tom. “In Mr. Gatsby’s car.”

She looked at Tom, alarmed now, but he insisted with magnanimous scorn.

“Go on. He won’t annoy you. I think he realizes that his presumptuous little flirtation is over.”

They were gone, without a word, snapped out, made accidental, isolated, like ghosts, even from our pity.

After a moment Tom got up and began wrapping the unopened bottle of whiskey in the towel.

“Want any of this stuff? Jordan? . . . Nick?”

I didn’t answer.

“Nick?” He asked again.

“What?”

“Want any?”

“No . . . I just remembered that today’s my birthday.”

I was thirty. Before me stretched the portentous, menacing road of a new decade.

It was seven o’clock when we got into the coupe with him and started for Long Island. Tom talked incessantly, exulting and laughing, but his voice was as remote from Jordan and me as the foreign clamor on the sidewalk or the tumult of the elevated overhead. Human sympathy has its limits, and we were content to let all their tragic arguments fade with the city lights behind. Thirty—the promise of a decade of loneliness, a thinning list of single men to know, a thinning briefcase of enthusiasm, thinning hair. But there was Jordan beside me, who, unlike Daisy, was too wise ever to carry well-forgotten dreams from age to age. As we passed over the dark bridge her wan face fell lazily against my coat’s shoulder and the formidable stroke of thirty died away with the reassuring pressure of her hand.

So we drove on toward death through the cooling twilight.

The young Greek, Michaelis, who ran the coffee joint beside the ashheaps was the principal witness at the inquest. He had slept through the heat until after five, when he strolled over to the garage, and found George Wilson sick in his office—really sick, pale as his own pale hair and shaking all over. Michaelis advised him to go to bed, but Wilson refused, saying that he’d miss a lot of business if he did. While his neighbor was trying to persuade him a violent racket broke out overhead.

“I’ve got my wife locked in up there,” explained Wilson calmly. “She’s going to stay there till the day after to-morrow, and then we’re going to move away.”

Michaelis was astonished; they had been neighbors for four years, and Wilson had never seemed faintly capable of such a statement. Generally he was one of these worn-out men: when he wasn’t working, he sat on a chair in the doorway and stared at the people and the cars that passed along the road. When any one spoke to him he invariably laughed in an agreeable, colorless way. He was his wife’s man and not his own.

So naturally Michaelis tried to find out what had happened, but Wilson wouldn’t say a word—instead he began to throw curious, suspicious glances at his visitor and ask him what he’d been doing at certain times on certain days. Just as the latter was getting uneasy, some workmen came past the door bound for his restaurant, and Michaelis took the opportunity to get away, intending to come back later. But he didn’t. He supposed he forgot to, that’s all. When he came outside again, a little after seven, he was reminded of the conversation because he heard Mrs. Wilson’s voice, loud and scolding, down-stairs in the garage.

“Beat me!” he heard her cry. “Throw me down and beat me, you dirty little coward!”

A moment later she rushed out into the dusk, waving her hands and shouting—before he could move from his door the business was over.

The “death car” as the newspapers called it, didn’t stop; it came out of the gathering darkness, wavered tragically for a moment, and then disappeared around the next bend. Michaelis wasn’t even sure of its color—he told the first policeman that it was light green. The other car, the one going toward New York, came to rest a hundred yards beyond, and its driver hurried back to where Myrtle Wilson, her life violently extinguished, knelt in the road and mingled her thick dark blood with the dust.