The End Has Come

ABOUT THE AUTHOR

Ben H. Winters is the winner of the Edgar Award for his novel The Last Policeman, which was also an Amazon.com Best Book of 2012. The sequel, Countdown City, won the Philip K. Dick Award; the third volume in the trilogy is World of Trouble. Other works of fiction include the middle-grade novel The Secret Life of Ms. Finkleman, an Edgar Award nominee, and the parody novel Sense and Sensibility and Sea Monsters, a New York Times bestseller. Ben has written extensively for the stage and is a past fellow of the Dramatists Guild. His journalism has appeared in Slate, The Nation, The Chicago Reader, and many other publications. He lives in Indianapolis, Indiana and at BenHWinters.com.

AGENT NEUTRALIZED David Wellington

Safety glass cracked, and the driver’s side window caved in. The biker brought his wrench back for another blow, and shards poured in through the suddenly open window, dust and wind blinding Whitman for a second as he fought to control the van and keep it on the road. In the back seat, Bob screamed, while up front in the passenger seat Grace fumbled with the shotgun clipped to the van’s dashboard.

The biker’s face was tattooed like a Japanese demon. He shoved his wrench back into a pannier on the side of his motorcycle and reached for a machete.

It was all Whitman could do to keep the van on the road. Ten years since the end of the world, potholes and broken asphalt made driving hazardous at any time. With a lunatic trying to kill him and six more of them in the rearview, Whitman was driving way too fast. One bad bump in the road and they would spin out, or fishtail to a stop at the worst possible time.

“Glove compartment,” Whitman said, though he wasn’t sure if Grace would hear him over the boy screaming in the back. “Glove compartment!”

He tried to push the biker off the road — the van might be a lumbering hulk at these speeds, but it weighed a lot more than Demonface’s patched-together bike. He veered hard, right into the bastard, but it was no use. The biker had to grab both handlebars for a second but he was a lot more maneuverable than the van. He swerved away, avoiding the collision with ease.

“Glove compartment!”

Grace finally seemed to process what he was saying. She popped open the glove compartment and a heavy revolver fell out. She caught it before it bounced away, then stared at it like she’d never seen a gun before.

Maybe she hadn’t — Whitman knew nothing about her, nothing that the plus sign tattooed on the back of her hand couldn’t tell him. He’d picked her — and Bob — up at Atlanta the day before. He was supposed to drive them to a medical camp in Florida. There hadn’t been much conversation since then.

Through his window he saw Demonface grab the machete again. The bike had no trouble matching speeds with the van, no matter how hard Whitman leaned on the gas.

“What do I do?” Grace demanded.

Whitman didn’t get a chance to answer. The machete came chopping down, the blade slicing deep into the rubber lining of the empty space where Whitman’s window used to be. He shoved himself back in his seat and the tip of the machete just missed cutting off the end of his nose.

Cubes of broken glass danced and fell from his shirt. Up ahead was the on-ramp to Route 75. Maybe it would be safer up there — he knew the government had pushed most of the abandoned cars off the main roads. Maybe —

The machete had cut deep into the window frame. Demonface had to wrench it free, a tricky thing to do while also controlling his motorcycle. The blade came loose, but the bike skidded across the road, falling back a full car length.

Whitman took the on-ramp at high speed, leaning into the curve as the van reared up on two wheels, then fell back on its suspension with a sickening crunch. Up ahead the road stretched out straight and clear forever, six lanes wide and completely empty. Even the road surface was in better shape, with barely a pothole to be seen.

Behind them the bikes came roaring up the ramp, seven of them riding in formation. Whitman saw their leader riding up front, a guy in a leather jacket with deer antlers sewn up and down the arms. Demonface was right next to him.