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The closet in the main floor bedroom still held Alberta Palmer’s clothes and shoes, and a large assortment of women’s hats. The latter were well used, billowy, some touched by the sweat and grime that came with hard work — but Earl, he was sure, would never have gotten rid of any of these things. He could imagine him opening this door every day to see the material reminders of the woman he loved.

There were lotions and a glass bottle of perfume on the bathroom sink. Two toothbrushes were still hanging from the holder built onto the wall.

In a drawer in the small den he found piles of notes that Alberta had written to her husband; most also had drawings of some kind that clearly showed the skill and talent of the artist who had created them. She had signed all of them with “Love, Your Bertie.”

Devine sat down in the only chair in the room and found his eyes watering as he read one note after another. “Have a good lobster day.” “Don’t forget, sunscreen. This ain’t the seventies anymore!” He lingered the longest over a drawing of what was clearly Earl and his missus walking hand in hand down the rocky shore. The accompanying note read simply: “Happy Retirement to Us, My Love.”

He carefully folded the notes and replaced them in the drawer.

As he looked out the window the rain picked up, and there was even a slash of lightning and an accompanying crack of thunder to go along with it.

He went back into the front room and looked over a shelf of tattered VHS tapes and DVDs. Some were commercial movies but others looked to be of family and other personal events. He looked at the labels on the cases: birthday parties, weddings, anniversaries. Then his gaze held on one. The label read: WILBUR KINGMAN’S FUNERAL.

He pulled out the DVD case and looked around. Under the TV was a DVD player. He popped the disc in and turned on the TV. He sat back in a chair and started the DVD.

The scene opened in what looked to be a church. The coffin was brought in and set up near the altar. The place was packed, and Devine paused the movie so he could see who was there.

In the front row was Patricia Kingman surrounded by what was probably her family. Her black dress hung off her, as though the woman had suddenly shed weight after losing her husband.

He saw a years-younger Fred Bing up near the coffin directing the black-clad funeral home crew. Then he saw two older, tall men standing together off to the side. They looked so much like Bing that he reckoned they were his father and uncle, who had inherited the business from their father, before passing it on to Fred and Françoise.

And there was Françoise Guillaume near the door greeting people as they entered.

In another row were Dak, Jenny, and Alex Silkwell. This was the first time Devine had seen Jenny other than in a still picture or as a corpse on a table. She was sitting between her brother and sister and seemed to be consoling Dak, while Alex stared straight ahead with the look of a woman who wasn’t really sure where she was. Clare Robards and Senator Silkwell sat next to their adult children.

Harper was in the back row, dressed in a sergeant’s uniform. Devine didn’t see Wendy Fuss anywhere.

There was a whole group of burly, tough-looking men in ill-fitting or ancient suits. He figured they were Kingman’s fellow lobstermen, there to pay their respects to one of their own who had fallen. Their eyes were red, their faces puffy, and, to a man, they looked stricken.

A fresh-faced Annie Palmer sat next to her grandparents. She must have still been in college, Devine thought. Alberta was holding Earl’s hand and looking anxiously at him. Devine could imagine the words of support she was probably saying to him. Earl’s face was bandaged, and his neck was in a support brace, as was his left knee. His right arm was in a cast. A cane leaned against his chair. He sat very stiffly, and Devine knew the man would soon undergo unsuccessful surgeries to try and repair the damage.

On the other side of Earl was a tall man in a police chief’s uniform. He had a face as granitelike as the bluffs that formed the extreme edge of the town’s shoreline. His physique was impressive, his chest and shoulders filling out his uniform. Devine knew from the photo he’d seen at the police station, and the one that Fred Bing had texted him, that this was Benjamin Bing, the third and youngest son of the founder of Bing and Sons.

As Devine looked closer, he saw something on Bing’s chest that was stunning.

Damn, so he was a soldier?

Devine let the film run again and he watched as Bing leaned in next to Earl and started talking in earnest. There was so much background noise on the film that Devine could not make out what the man was saying. However, Earl’s reaction was one of surprise, even shock.

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В МИРЕ ПРОДАНО БОЛЕЕ 30 МИЛЛИОНОВ ЭКЗЕМПЛЯРОВ КНИГ ШАРЛОТТЫ ЛИНК.НАЦИОНАЛЬНЫЙ БЕСТСЕЛЛЕР ГЕРМАНИИ № 1.Шарлотта Линк – самый успешный современный автор Германии. Все ее книги, переведенные почти на 30 языков, стали национальными и международными бестселлерами. В 1999–2023 гг. снято более двух десятков фильмов и сериалов по мотивам ее романов.Несколько пропавших девушек, мертвое тело у горных болот – и ни единого следа… Этот роман – беспощадный, коварный, загадочный – продолжение мирового бестселлера Шарлотты Линк «Обманутая».Тело 14-летней Саскии Моррис, бесследно исчезнувшей год назад на севере Англии, обнаружено на пустоши у горных болот. Вскоре после этого пропадает еще одна девушка, по имени Амели. Полиция Скарборо поднята по тревоге. Что это – дело рук одного и того же серийного преступника? Становится известно еще об одном исчезновении девушки, еще раньше, – ее так и не нашли. СМИ тут же заговорили об Убийце с пустошей, что усилило давление на полицейских.Сержант Кейт Линвилл из Скотланд-Ярда также находится в этом районе, но не по службе – пытается продать дом своих родителей. Случайно она знакомится с отчаявшейся семьей Амели – и, не в силах остаться в стороне, начинает независимое расследование. Но Кейт еще не представляет, с какой жутью ей предстоит столкнуться. Под угрозой ее рассудок – и сама жизнь…«Линк вновь позволяет нам заглянуть глубоко в человеческие бездны». – Kronen Zeitung«И снова настоящий восторг из-под пера королевы криминального жанра Шарлотты Линк». – Hannoversche Allgemeine Zeitung«Шарлотта Линк – одна из немногих мировых литературных звезд из Германии». – Berliner Zeitung«Отличный, коварный, глубокий, сложный роман». – Brigitte«Шарлотте Линк снова удалось выстроить очень сложную, но связную историю, которая едва ли может быть превзойдена по уровню напряжения». – Hamburger Morgenpost«Королева саспенса». – BUNTE«Потрясающий тембр авторского голоса Линк одновременно чарует и заставляет стыть кровь». – The New York Times«Пробирает до дрожи». – People«Одна из лучших писательниц нашего времени». – Journal für die Frau«Мощные психологические хитросплетения». – Focus

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