The Devil You Know

Then there was a sheet of paper with a list of addresses on it—most of them in the East End—and another with dates printed on it in columns (all except the last one had been checked through with yellow marker), a scrawled note on half of a torn sheet of A4, which read Change to Friday 6:30, and a matchbook from Kissing the Pink, the club where I’d met Damjohn the other night. Very tastefully done—the name of the club was balanced on either side by the silhouette of a woman’s upper body, in profile so that her erect nipples were given the prominence the designer thought they deserved.

I was hoping for a smoking pistol. This didn’t even qualify as a spud gun.

Pen had us heading back to Soho Square now. I told her to pull over, kissed her lightly on the cheek, and dived out of the car. “I’ll see you later,” I promised.

“You bloody well be careful, Fix,” she called after me, but I was already sprinting for the corner and back around onto Greek Street. I walked about a third of the way along, then, when I was about twenty yards from Gabe’s place on the other side of the street, I found a doorway to loiter in.

It didn’t take as long as I thought it would—but then I guess there’s not much traffic at that time of night. About ten minutes later, a car pulled up outside Gabe’s door—an electric blue BMW X5. Arnold the Weasel Man climbed out of the front passenger door, and a huge, shapeless object wearing a suit edged and wedged its way out of the back. Scrub—there couldn’t be two like him in the whole damn world. He held the door open, and Damjohn himself stepped out after him. Must have been a tight fit. Damjohn led the way inside, Scrub followed, and Arnold brought up the rear, pulling the door to with a decisive slam.

So it was official. They were all in it together. I just wished I had the faintest clue what “it” actually was.

Thirteen

THERE’S A PLACE WHERE I GO SOMETIMES TO retrench and regroup—to dredge up a bit of strength when I’m feeling weak and to find some silence in the city’s remorseless polyphonic shit-storm. Bizarrely enough, it’s a cemetery: Bunhill Fields, off the City Road close to Old Street Station. It ought to be the last place in the world I’d want to be, but somehow it suits me down to the ground—and then about six feet farther.

One factor is just that it’s old and disused. The last burial there was more than a century ago; all the original ghosts clocked off and headed elsewhere long before I ever found the place, and no newer spirits have come along to set up shop. There’s a quiet and a peace there that I’ve never found anywhere else.

And then again, there’s the fact that it’s not hallowed ground. It’s a dissenters’ graveyard, full of all the bolshie bastards who played the game by their own rules back when doing that could get you the pre-Enlightenment equivalent of cement overshoes. William Blake is dreaming of Jerusalem under that sod, and Daniel Defoe is probably dreaming about something a fair bit earthier. You’ve also got John Owen and Isaac Watts, the reservoir dogs of eighteenth-century theology. What can I tell you? I just feel at ease in their company.

So that’s where I was, and that’s why. I needed to think. When I walked back into the Bonnington, I wanted to feel that I wasn’t going in there completely naked, without any kind of a plan.

Disengage and reassess, I told myself. Go through what you already know, and see if it builds up into a picture of what you thought you didn’t.

I take on this job, and on the first day I’m already being followed by Scrub. Bearing in mind the toolbox that Lucasz Damjohn must have at his command, it said a lot that he’d pick out such a big and powerful item. Scrub must normally be reserved for putting the frighteners on rival whoremasters; applied to me, he was just overkill.

Damjohn then goes out of his way to get to meet me, but doesn’t try to lean on me in any way or even particularly pump me for information about what I’m doing.

Then it turns out that McClennan and Damjohn are old cronies.

And the archive ghost has met Gabe McClennan—a shit-hot exorcist, whatever else he might be. So why the hell is she still there?

That was the sixty-four-thousand-dollar question. I’d really started to sell myself on the idea that Damjohn might have something to hide, but that kite just wouldn’t fly. If McClennan had been sent in to burn the Bonnington ghost, she’d be toast. Like he said, he would have gone in, done the job, and drawn his pay. But he hadn’t, unless the job he’d been sent in to do was something different.

And someone had raised a succubus to burn me out—an exotic and dangerous weapon, but one that wouldn’t raise an eyebrow with the police or anyone else, given what I did for a living. What had I done that was worth that kind of attention? Or what was I doing now?