(We know so much about Vincent, about his family, because they were all wonderful letter writers, and many of those letters have survived. Vincent becomes famous for the letters he shared with his dear brother Theo but he wrote to many others, too.)
Back at the evangelical school it turned out that Vincent was a lousy student. He dressed strangely (meaning, he didn’t pay much attention to his clothes and their care). He couldn’t speak off the cuff, so he had to prepare all his remarks and read from the pages. And he didn’t even do that very well. And worst of all, for the school’s purposes, he wasn’t “submissive.” He argued with the school’s leaders, didn’t do exactly as told. When his three months of training were up, they refused to give him a position anywhere.
Much as he dealt with the aftermath of Ursula, Vincent took his failure at school pretty hard. He didn’t eat, didn’t sleep, got thin and weak. He was in a constant nervous state. This is around the first time that people close to him began to notice his “humour” and “constitution.” To put it bluntly: They thought the boy was a little off. (Of course, they never came right out and stated this.)
Vincent’s father came to Brussels to see him and used his influence to get Vincent a trial appointment in Wasmes, a small coal-mining town, for six months. He would get a very small salary, but he didn’t get to give Bible lectures, teach children, and visit the sick—the things he actually wanted to do. He worked with the people of the mining town, but after six months his job wasn’t renewed and Vincent left town. On foot, which would become a pretty standard method for him, since he never had money to spare for trains.
Time passed after the loss of the job, and Vincent lost his religious zeal. He fell into a funk and isolated himself. Theo and his parents started sending Vincent money just so he could eat, have a place to stay, that kind of stuff, but it wasn’t much and wasn’t regular.
Around this time, Vincent made pilgrimages to the studio of an artist he greatly admired named Jules Breton. He walked all the way to Breton’s place in another town and was so intimidated and so ashamed of himself, that he just turned right back around and
Finally, around 1880, Vincent declared himself a painter. He rented a room in a miner’s home. (Vincent shared the room with the miner’s children.) This was his first studio! He drew the miners, going to and from work. Sometimes he worked out in the garden. But in October of 1880 he moved to Brussels again to work in a small hotel. He needed the money, but he also wanted to meet other artists and Brussels offered more chances than the mining town. He wanted some camaraderie.
In 1881 Vincent moved back in with his parents. He had a good run with them but over the summer he met an older cousin, Kee. Kee was grieving over the loss of her husband and raising a four-year-old boy on her own. Vincent fell for her but she rejected him. Guess how Vincent reacted.
Yup.
This time he flipped out even harder. He didn’t just go into a depression; he became irritable and unstable and pushed at this cousin, trying to win her over. It got so bad that the whole family was just embarrassed. Vincent had a really bad fight with his father over the matter and finally moved out. He returned to the Hague, and lived there for two years.
While he was there he met a new woman. She was poor, “rough,” a heavy drinker, a fighter, and smallpox survivor. Also, possibly, a prostitute. In other words, Vincent hooked up with a