The Delicate Prey: And Other Stories

The pastor was silent, walking beside Nicolás up the road to the mission. The weather had changed, and the early sun was very bright. “I have been fortified by my experience,” he was thinking. His head was clear; he felt amazingly healthy. The unaccustomed sensation of vigor gave him a strange nostalgia for the days of his youth. “I must always have felt like this then. I remember it,” he thought.

At the mission there was a great crowd—many more people than he had ever seen attend a sermon at Tacaté. They were chatting quietly, but when he and Nicolas appeared there was an immediate hush. Mateo was standing in the pavilion waiting for him, with the phonograph open. With a pang the pastor realized he had not prepared a sermon for his flock. He went into the house for a moment, and returned to seat himself at the table in the pavilion, where he picked up his Bible. He had left his few notes in the book, so that it opened to the seventy-eighth Psalm. “I shall read them that,” he decided. He turned to Mateo. “Play the disco,” he said. Mateo put on “Crazy Rhythm.” The pastor quickly made a few pencil alterations in the text of the psalm, substituting the names of minor local deities, like Usukun and Sibanaa for such names as Jacob and Ephraim, and local place names for Israel and Egypt. And he wrote the word Hachakyum each time the word God or the Lord appeared. He had not finished when the record stopped. “Play it again,” he commanded. The audience was delighted, even though the sound was abominably scratchy. When the music was over for the second time, he stood and began to paraphrase the psalm in a clear voice. “The children of Sibanaa, carrying bows to shoot, ran into the forest to hide when the enemy came. They did not keep their promises to Hachakyum, and they would not live as He told them to live.” The audience was electrified. As he spoke, he looked down and saw the child Marta staring up at him. She had let go of her baby alligator, and it was crawling with a surprising speed toward the table where he sat. Quintina, Mateo, and the two maids were piling up the bars of salt on the ground to one side. They kept returning to the kitchen for more. He realized that what he was saying doubtless made no sense in terms of his listeners’ religion, but it was a story of the unleashing of divine displeasure upon an unholy people, and they were enjoying it vastly. The alligator, trailing its rags, had crawled to within a few inches of The pastor’s feet, where it remained quiet, content to be out of Marta’s arms.

Presently, while he was still speaking, Mateo began to hand out the salt, and soon they all were running their tongues rhythmically over the large rough cakes, but continuing to pay strict attention to his words. When he was about to finish, he motioned to Mateo to be ready to start the record again the minute he finished; on the last word he lowered his arm as a signal, and “Crazy Rhythm” sounded once more. The alligator began to crawl hastily toward the far end of the pavilion. Pastor Dowe bent down and picked it up. As he stepped forward to hand it to Mateo, Nicolás rose from the ground, and taking Marta by the hand, walked over into the pavilion with her.

“Señor,” he said, “Marta will live with you. I give her to you.”

“What do you mean?” cried the pastor in a voice which cracked a little. The alligator squirmed in his hand.

“She is your wife. She will live here.”

Pastor Dowe’s eyes grew very wide. He was unable to say anything for a moment. He shook his hands in the air and finally he said: “No” several times.

Nicolás’ face grew unpleasant. “You do not like Marta?”

“Very much. She is beautiful.” The pastor sat down slowly on his chair. “But she is a little child.”

Nicolás frowned with impatience. “She is already large.”

“No, Nicolás. No. No.”

Nicolás pushed his daughter forward and stepped back several paces, leaving her there by the table. “It is done,” he said sternly. “She is your wife. I have given her to you.”

Pastor Dowe looked out over the assembly and saw the unspoken approval in all the faces. “Crazy Rhythm” ceased to play. There was silence. Under the mango tree he saw a woman toying with a small, shiny object. Suddenly he recognized his glasses case; the woman was stripping the leatheroid fabric from it. The bare aluminum with its dents flashed in the sun. For some reason even in the middle of this situation he found himself thinking: “So I was wrong. It is not dead. She will keep it, the way Nicolás has kept the quinine tablets.”

He looked down at Marta. The child was staring at him quite without expression. Like a cat, he reflected.

Again he began to protest. “Nicolás,” he cried, his voice very high, “this is impossible!” He felt a hand grip his arm, and turned to receive a warning glance from Mateo.