Читаем The Dark Tower полностью

Walter, still all too aware of what was happening to him, struggled against this fresh horror with no more success than against the last. He bent over with his hands on his thighs and his bleeding tongue stuck crookedly out between his lips, wavering wearily as the hemorrhaging muscles at the back of his mouth tried to support it. Once more he heard the scrabbling sounds as Mordred’s front legs scratched at the legs of his denim pants. The spider’s hairy maw closed over Walter’s tongue, sucked it like a lollipop for one or two blissful seconds, and then tore it free with a single powerful wrench. Walter — now speechless as well as eyeless — uttered a swollen scream of pain and fell over, clutching at his distorted face, rolling back and forth on the tiles.

Mordred bit down on the tongue in his mouth. It burst into a bliss of blood that temporarily wiped away all thought. Walter had rolled onto his side and was feeling blindly for the trapdoor, something inside still screaming that he should not give up but keep trying to escape the monster that was eating him alive.

With the taste of blood in his mouth, all interest in foreplay departed Mordred. He was reduced to his central core, which was mostly appetite. He pounced upon Randall Flagg, Walter o’ Dim, Walter Padick that was. There were more screams, but only a few. And then Roland’s old enemy was no more.

<p><strong>Six</strong></p>

The man had been quasi-immortal (a phrase at least as foolish as “most unique”) and made a legendary meal. After gorging on so much, Mordred’s first urge — strong but not quite insurmountable — was to vomit. He controlled it, as he did his second one, which was even stronger: to change back to his baby-self and sleep.

If he was to find the door of which Walter had spoken, the best time to do so was right now, and in a shape which would make it possible to hurry along at a good speed: the shape of the spider. So, passing the desiccated corpse without a glance, Mordred scarpered nimbly through the trapdoor and down the stairs and into a corridor below. This passage smelled strongly of alkali and seemed to have been cut out of the desert bedrock.

All of Walter’s knowledge — at least fifteen hundred years of it — bellowed in his brain.

The dark man’s backtrail eventually led to an elevator shaft. When a bristly claw pressed on the UP button produced nothing but a tired humming from far above and a smell like frying shoe-leather from behind the control panel, Mordred climbed the car’s inner wall, pushed up the maintenance hatch with a slender leg, and squeezed through. That he had to squeeze did not surprise him; he was bigger now.

He climbed the cable (itsy bitsy spider went up the waterspout) until he came to the door where, his senses told him, Walter had entered the elevator and then sent it on its last ride. Twenty minutes later (and still jazzing on all that wonderful blood; gallons of the stuff, it had seemed), he came to a place where Walter’s trail divided. This might have posed him, child that he still very much was, but here the scent and the sense of the others joined Walter’s track and Mordred went that way, now following Roland and his ka-tet rather than the magician’s backtrail. Walter must have followed them for awhile and then turned around to find Mordred. To find his fate.

Twenty minutes later the little fellow came to a door marked with no word but a sigul he could read well enough:

The question was whether to open it now or to wait. Childish eagerness clamored for the former, growing prudence for the latter. He had been well-fed and had no need of more nourishment, especially if he changed back to his hume-self for awhile. Also, Roland and his friends might still be on the far side of this door. Suppose they were, and drew their weapons at the sight of him? They were infernally fast, and he could be killed by gunfire.

He could wait; felt no deep need beyond the eagerness of the child that wants everything and wants it now. Certainly he didn’t suffer the bright intensity of Walter’s hate. His own feelings were more complex, tinctured by sadness and loneliness and — yes, he’d do better to admit it — love. Mordred felt he wanted to enjoy this melancholy for awhile. There would be food aplenty on the other side of this door, he was sure of it, so he’d eat. And grow. And watch. He would watch his father, and his sister-mother, and his ka-brothers, Eddie and Jake. He’d watch them camp at night, and light their fires, and form their circle around it. He’d watch from his place that was outside. Perhaps they would feel him and look uneasily into the dark, wondering what was out there.

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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика