Читаем The Dark Tower полностью

“Because, if you’re anything like your father — the red one, that is — then your mental powers may exceed mere communication.” The man in the parka tittered. He didn’t want Mordred to know he was afraid. Perhaps he’d convinced himself he wasn’t afraid, that he’d come here of his own free will. Maybe he had. It didn’t matter to Mordred one way or the other. Nor did the man’s plans, which jumbled and ran in his head like hot soup. Did the man really believe the “thinking-cap” had closed off his thoughts? Mordred looked closer, pried deeper, and saw the answer was yes. Very convenient.

“In any case, I believe a bit of protection to be very prudent. Prudence is always the wisest course; how else did I survive the fall of Farson and the death of Gilead? I wouldn’t want you to get in my head and walk me off a high building, now would I? Although why would you? You need me or someone, now that yon bucket of bolts has gone silent and you just a bah-bo who can’t tie his own clout across the crack of his shitty ass!”

The stranger — who was really no stranger at all — laughed. Mordred sat in the chair and watched him. On the side of the child’s cheek was a pink weal, for he’d gone to sleep with his small hand against the side of his small face.

The newcomer said, “I think we can communicate very well if I talk and you nod for yes or shake your head for no. Knock on your chair if you don’t understand. Simple enough! Do you agree?”

Mordred nodded. The newcomer found the steady blue glare of those eyes unsettling—très unsettling — but tried not to show it. He wondered again if coming here had been the right thing to do, but he had tracked Mia’s course ever since she had kindled, and why, if not for this? It was a dangerous game, agreed, but now there were only two creatures who could unlock the door at the foot of the Tower before the Tower fell…which it would, and soon, because the writer had only days left to live in his world, and the final Books of the Tower — three of them — remained unwritten. In the last one that was written in that key world, Roland’s ka-tet had banished sai Randy Flagg from a dream-palace on an interstate highway, a palace that had looked to Eddie, Susannah, and Jake like the Castle of Oz the Great and Terrible (Oz the Green King, may it do ya fine). They had, in fact, almost killed that bad old bumhug Walter o’ Dim, thereby providing what some would no doubt call a happy ending. But beyond page 676 of Wizard and Glass not a word about Roland and the Dark Tower had Stephen King written, and Walter considered this the real happy ending. The people of Calla Bryn Sturgis, the roont children, Mia and Mia’s baby: all those things were still sleeping inchoate in the writer’s subconscious, creatures without breath pent behind an unfound door. And now Walter judged it was too late to set them free. Damnably quick though King had been throughout his career — a genuinely talented writer who’d turned himself into a shoddy (but rich) quick-sketch artist, a rhymeless Algernon Swinburne, do it please ya — he couldn’t get through even the first hundred pages of the remaining tale in the time he had left, not if he wrote day and night.

Too late.

There had been a day of choice, as Walter well knew: he had been at Le Casse Roi Russe, and had seen it in the glass ball the Old Red Thing still possessed (although by now it no doubt lay forgotten in some castle corner). By the summer of 1997, King had clearly known the story of the Wolves, the twins, and the flying plates called Orizas. But to the writer, all that had seemed like too much work. He had chosen a book of loosely inter-locked stories called Hearts in Atlantis instead, and even now, in his home on Turtleback Lane (where he had never seen so much as a single walk-in), the writer was frittering away the last of his time writing about peace and love and Vietnam. It was true that one character in what would be King’s last book had a part to play in the Dark Tower’s history as it might be, but that fellow — an old man with talented brains — would never get a chance to speak lines that really mattered. Lovely.

In the only world that really mattered, the true world where time never turns back and there are no second chances (tell ya true), it was June 12th of 1999. The writer’s time had shrunk to less than two hundred hours.

Walter o’ Dim knew he didn’t have quite that long to reach the Dark Tower, because time (like the metabolism of certain spiders) ran faster and hotter on this side of things. Say five days. Five and a half at the outside. He had that long to reach the Tower with Mordred Deschain’s birthmarked, amputated foot in his gunna…to open the door at the bottom and mount those murmuring stairs…to bypass the trapped Red King…

If he could find a vehicle…or the right door…

Was it too late to become the God of All?

Perhaps not. In any case, what harm in trying?

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Звездная месть
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Лихим 90-м посвящается...Фантастический роман-эпопея в пяти томах «Звёздная месть» (1990—1995), написанный в жанре «патриотической фантастики» — грандиозное эпическое полотно (полный текст 2500 страниц, общий тираж — свыше 10 миллионов экземпляров). События разворачиваются в ХХV-ХХХ веках будущего. Вместе с апогеем развития цивилизации наступает апогей её вырождения. Могущество Земной Цивилизации неизмеримо. Степень её духовной деградации ещё выше. Сверхкрутой сюжет, нетрадиционные повороты событий, десятки измерений, сотни пространств, три Вселенные, всепланетные и всепространственные войны. Герой романа, космодесантник, прошедший через все круги ада, после мучительных размышлений приходит к выводу – для спасения цивилизации необходимо свержение правящего на Земле режима. Он свергает его, захватывает власть во всей Звездной Федерации. А когда приходит победа в нашу Вселенную вторгаются полчища из иных миров (правители Земной Федерации готовили их вторжение). По необычности сюжета (фактически запретного для других авторов), накалу страстей, фантазии, философичности и психологизму "Звёздная Месть" не имеет ничего равного в отечественной и мировой литературе. Роман-эпопея состоит из пяти самостоятельных романов: "Ангел Возмездия", "Бунт Вурдалаков" ("вурдалаки" – биохимеры, которыми земляне населили "закрытые" миры), "Погружение во Мрак", "Вторжение из Ада" ("ад" – Иная Вселенная), "Меч Вседержителя". Также представлены популярные в среде читателей романы «Бойня» и «Сатанинское зелье».

Юрий Дмитриевич Петухов

Фантастика / Боевая фантастика / Научная Фантастика / Ужасы / Ужасы и мистика